Archive for the ‘ArtsBus’ Category

Wine Labels as Art

Saturday, November 27th, 2010

Thank you  Tyrrell’s wineMirvac and  Sebel Heritage

 

 

“Outlook View”
Thinking of my home when I was in Europe.
This is the digital art print created from a
section of one of my original oil paintings for a wine label

 

 

 

Last night I attended a cocktail evening at the Sebel Heritage in the Yarra Valley. The whole idea of the evening was to introduce exhibiting artists to the new manager to chat about the current Yarra Valley Arts exhibition displayed at the resort.What a nice surprise I had when they announced my painting “Outlook View” was the winning entry for the Tyrrell’s Wine label competition. I was so excited, especially as I’d forgotten I entered the competition.

 

 

As an artist I love the idea that my art will travel, “Nomad Art” on a wine bottle.

Why should art be only framed on a gallery wall?

Although I didn’t get paid in money for my design I couldn’t think of a better marketing tool for getting my art seen and tasted:). The exposure for my art will be extensive, especially as Tyrrell’s wine is sold widely in Australia and exported all over the world. I was also presented with the new wine label beautifully framed, a gift card from Mirvac hotels & resorts and the most beautiful bunch of flowers. In the future I may even receive a case of the wine with my artwork.

Winning the competition also got me thinking a lot about the art on a wine label…

I know, when I buy a bottle of wine, I choose it primarily for its label. If the label is dull and boring visually, I won’t buy it. I also think the design of a wine label could make or break a new wine introduced to the market.

Do you choose a wine by the label?

A list of artists who have created a Château Mouton Rothschild label. Many of the artists received no payment for the work, but were given cases of wine, including of the vintage which they have illustrated.
• 1924: Jean Carlu
• 1945: Philippe Jullian
• 1946: Jean Hugo
• 1947: Jean Cocteau
• 1948: Marie Laurencin
• 1949: André Dignimont
• 1950: Arnulf
• 1951: Marcel Vertès
• 1952: Léonor Fini
• 1953: Centenary year commemoration
• 1954: Jean Carzou
• 1955: Georges Braque
• 1956: Pavel Techelitchew
• 1957: André Masson
• 1958: Salvador Dalí
• 1959: Richard Lippold
• 1960: Jacques Villon
• 1961: Georges Mathieu
• 1962: Matta
• 1963: Bernard Dufour
• 1964: Henry Moore
• 1965: Dorothea Tanning
• 1966: Pierre Alechinsky
• 1967: César
• 1968: Bona
• 1969: Joan Miró
• 1970: Marc Chagall
• 1971: Wassily Kandinsky
• 1972: Serge Poliakoff
• 1973: Pablo Picasso (posthumous recognition – in memoriam, as he had died in Mougins in April of that year)
• 1974: Robert Motherwell
• 1975: Andy Warhol
• 1976: Pierre Soulages
• 1977: Tribute to Queen Elizabeth The Queen Mother, who stayed at the chateau in April 1977
• 1978: Jean-Paul Riopelle (2 labels)
• 1979: Hisao Domoto
• 1980: Hans Hartung
• 1981: Arman
• 1982: John Huston
• 1983: Saul Steinberg
• 1984: Agam
• 1985: Paul Delvaux
• 1986: Bernard Séjourné
• 1987: Hans Erni
• 1988: Keith Haring
• 1989: Georg Baselitz
• 1990: Francis Bacon
• 1991: Setsuko
• 1992: Per Kirkeby
• 1993: Balthus (2 labels)
• 1994: Karel Appel
• 1995: Antoni Tàpies
• 1996: Gu Gan
• 1997: Niki de Saint Phalle
• 1998: Rufino Tamayo
• 1999: Raymond Savignac
• 2000: Special gold enamel relief of the “Augsburg Ram” in the Mouton museum
• 2001: Robert Wilson
• 2002: Ilya Kabakov
• 2003: 150th Birthday Tribute
• 2004: Charles, Prince of Wales
• 2005: Giuseppe Penone
• 2006: Lucian Freud

“A Bunch of Dirty Books” and more

Thursday, October 7th, 2010

Over the past few months I have been making art inside the house as the studio has been cold this winter. One day, when all my exhibitions are “sell-outs”, I will be able to install adequate heating in the studio. Until then,I just wear extra hats, scarves and jackets.

Lately, I have become quite addicted to bookmaking and drawing. This year I’ve made all kinds of books, using recycled, vintage papers, wallpaper, fabric and canvas mixed with found objects and new materials.

My latest “A Bunch of Dirty Books’  are made from damaged vintage medical and natural scientist books. I dirtied the pages from an old dye recipe I found and will work within the pages and eventually make an edition of around 100 or more.

Spirit of the Valley

Tuesday, August 10th, 2010

SPIRIT OF THE VALLEY


An abstract feeling ….In this painting I wanted to capture the “Spirit of the Valley” in an abstract way. The colours connect to the mood of Yarra Valley’s lively communities, rich in it’s, various cultures. The arts, food and wine intermingled with the tranquillity and soul of the surrounding landscape

To see all my work please go to my  ‘Gallery”

Funny how things seem to workout. Recently I had a fall and broke my arm.

I have been wanting for ages to update my” Gallery” but, always find it too hard to drag myself away from the studio. Since breaking my arm though, I’ve had too slow down and take it easy. Over the past few weeks I have managed to use the computer with my left hand to upload more paintings, drawings  and sculpture for you to browse.

I offer all my art at studio prices, eliminating huge gallery and agent fees.

Saving you $100’s…

Please see Buyer Info

If you have any questions or would like to see a high resolution photo of a piece, please contact me at Outlook8studio and I will do my best to help you.

Hope you enjoy !

“Stimulate your senses.Suggestive and powerful abstract art with a spark, to generate new ways of thinking, to move and inspire us. Jenny Davis award winning, Australian Contemporary artist , paint’s what she feels. Bold and stunningly colorful abstract paintings, that reveals the power and brightness of color, through the different effects of form and texture which spring from the canvas.”

Paula Trevisan, International Art,Ferrara , Italy in 2010

Preparing for a site specific artwork

Sunday, January 24th, 2010

Every  artist has their own way of preparing before creating. In this blog entry I would like to share with you what I  do, before creating a site specific artwork.

A BIT ABOUT MY CREATIVE PROCESS

Capturing the wholeness of a space is most important for me.

For creating the work, or idea, I need to physically spend a lot of time in the space where I will be creating the work. Not only, do I need to consider the site visually, I also have to feel it, hear, the silence, the noise, touch the textures, and take in the aroma of the surrounding layers of the environment . This helps me to capture the realness and essence of the space.

All random ideas and thoughts are recorded. This may take the form of written notes, quick drawings, paintings, photos, taken at different times of the day and night. I may also use video and sound.

Sometimes my response is so strong, I will have a basic idea working around in my head before I get back to the studio. I then work out how Im going to take my idea into reality. Working with the creative process allows me to be more spontaneous in my approach to the making of the work. The materials I use can be randomly chosen as I go along or, I will purposely choose a material that will express my ideas.

How do you kick- start your creativity?

My Found-object Sculpture

Saturday, June 27th, 2009

DIARY ENTRY 2005“Surfaces tell the stories of History’s children. I travelled the surface of the battles. Napoleon and Hitler’s slaughter. The senseless bloodshed of scores of the Holy wars. As I entered the borders it invaded my skin, then, seeping into my soul, I saw where it happened over and over again. It clings to me and will stay.

In England I saw a ghost in nave at Canterbury Cathedral and visited the wonderful sea side village of Rye. Nearby the weird, bizarre but wonderful Dungeness. And the fantastic museum in Maidstone where I was the only one, creeping through the old corridors. I loved its ancientness.

In Spain, I felt the genius of Dali, Gaudi , Miro, Picasso and Antoni Tapies.The magic of Don Quixote, Flamenco, the dance and Catalan language.

I had fun with Tarrentino’s, Pulp Fiction in France and the beautiful city of Paris with its beautiful goldness, but no toilets. I fell in love with Venice , Florence and the Renaissance. The architecture cathedrals and more.”

Further, marketing & promoting your art online

Friday, April 17th, 2009

Continuing on from my last post …

I would like to share with you just a sample of what can be done through marketing and promoting your arts business online.Without the computer I couldn’t have done any of this and ANYONE can do this if you are willing to put in the time and energy….while still saving time for precious creative pursuits

I have included parts of a letter I sent to an arts body in Australia “explaining” (as typically artists constantly have to do)… How serious I am about what I do…

To whom it may concern,

I wanted to write this to let you know how serious I am about my arts business and how I have great expectations for its continual growth internationally.It takes time for artists to establish themselves; we have to approach the” business” of being an artist slightly differently, from the usual manufacturer of goods and products because our income can come from many different creative areas, not always with the one product.

Also to be a “successful artist” doesn’t always mean a huge income though this helps.

My main objective is to expose and market my art to an international audience.
To do this, I regularly network with my peers, directors, collectors and with other artists to get known and to find spaces and galleries to show my work for sales, invitations to international events, engagements and commissions.

Australian Contemporary art is much sort after in Europe and USA however, New York has never had a major exhibition of important Australian art but, it will happen.

Since 2001, I have concentrated on exporting my art overseas. I have been part of an Australian exhibition in New York in 2004, Leipzig Germany and Spain 2005 Berlin & Paris 2007 and more in US… I have traveled to England, Europe and was awarded an arts residency in Barcelona Spain. In 2007 I went to Paris to set up a network in France and to oversee my Melb5 art exhibition opening in Berlin Germany 2007.

I spend at least 2/3 hours daily (depending on my physical self) at the computer contacting potential clients and exploring all areas of the International markets. I upload my images onto websites all over the world. I have numerous international spaces and have just released a new series of digital artworks onto the international market.

My main websites and blog, draw in various people who contact me. I receive invites to art fairs, international exhibitions in galleries and online solo & group exhibitions and collaborate with artists worldwide on projects. I also apply for and enter art awards, exhibitions, photography competitions and arts residencies.

Lately, I have collaborated with other international artists in art projects worldwide and received magazine work and published a book of my art in Australia and US.

Included are sites for selling my original art pieces, limited edition art prints, a design site for images on products such as t-shirts, cards, etc. Art, photography and crafts sites. Blog sites let the world know who I am and what I do. A video site where I can create a short video advertising my artwork or experiment with new work.

I am represented by Ausgallery with Austrade in Australia for International representation.

When overseas, I market and promote my work by approaching and meeting with gallery directors, managers. I attend openings of other artists work for networking and researching market trends. I always have a good supply of my professional gallery package I designed. The package may consist of a CD of my images, CV, digital prints, postcards, of my work and an exhibition history all in a folder.

I am in the process of developing a short video of my practice to add to it. When I travel I always leave my art packages at the airports I pass through.

When I don’t have funding and income to travel, myself, I send my work all over the world to events. Example : I’ve also had invitations to the Florence Biennale 6 times, Louvre complex in Paris twice, Sala Barna Gallery in Spain, Galleria Gora in Montreal, Mont Serrat Gallery in New York, Armory art fair NY, Singapore Art Fair, Miami, and may be a possibility for me to attend the next Cityscape in Dubai and much more.

I have just spent 3 months in Paris where I networked, visited and negotiated with gallery directors for future exhibitions, projects and events. I have put in many applications for arts residencies and studio spaces in Paris and in other parts of Europe. In Paris, I developed new work in an area, I had never ventured before. I experimented with video and digital work, an extension to my arts practice. In Berlin, I had an exhibition at the Bob Curtiz Contemporary Movement Gallery with 4 other Melbourne artists in which members of the Australian Embassy in Berlin attended. Recently, I was asked to go to the Shanghai Art Fair with Chaira Goya from Goya Galleries in Melbourne.

Through hard work and determination I feel there is a market out there for my art.

Finally after many years of knock backs I did receive that grant …….

Letters from the Border

Sunday, March 8th, 2009


Letters from the Border Jenny Davis

The flower rose from the desert floor

Pushing its way through the dry hard crust like a white rag flapping its surrender into the dust

Time slowed to a halt for one soldier he clicked the camera.

An interruption to the vile slaughter he had witnessed earlier that morning

The image arrived penetrating the depths of her soul for she knew the little desert flower from the border would change the fragility of humanity forever

Finally after all the fires in Victoria I’m starting to create again and catch up with my work in the studio. Pictures above show images of the hubcap I created for the Landfillart project in US.

ABOUT THE ARTWORK

LETTERS FROM THE BORDER is actually a series of many pieces I have been working on for years…..This piece is a collage of images taken from my collections.

A copy of an original Imperial letter from Berlin I own dated early 1900’s

A piece of writing I created in 2003 in connection to Iraq Photos and emails I received from a US soldier when he was on the border in Kuwait waiting to invade Iraq.He described to me what happened to his troops on that day and night.

They were bombed 30 times as they crossed the border.

We conversed with emails for a few months then nothing .I don’t know what happened to him I haven’t been able to find out.

The bomb like image is a photo of a plastic toy I have that sits inside one of my box sculptures.The soldier images are from the photos he sent me of himself and his crew. I had made a few zines out of these images then I tore one up for this work. It was all originally on stretched canvas but I cut it out for the hubcap and sealed it….

The desert flower refers to a photo he sent me as he was entering over the border into Iraq…a little flower a glimmer of hope in the dry dusty desert

ABOUT THE PROJECT

Landfillart is an international effort encompassing one-thousand-forty-one (1,041) artists to claim a piece of rusted metal garbage and create fine art.

The ultimate goals of this project are twofold. The first is to compile a book with the story and photos of the evolution of http://www.landfillart.org and the coming together of 1041 artists worldwide for a common cause, making great art out of rusted refuse. Only artists could lead such a charge. The other goal is to select 200 of these metal canvases to travel and inspire other such movement

Latest things I’ve been up to…….

Thursday, January 8th, 2009

VIDEO OF A PAINTING CREATED LAST WEEK plus other projects on the go I don’t sleep much at night as ideas keep cramming my head. I have to get up and go to the studio. If Ive been up all night like the mad professor in the lab creating monsters……you may catch me in bed during the day sleeping.

MY LATEST CHALLENGES….. No one can do everything but everyone can do something ….Sustainable Dave

THE ONE WEEK TRASH CHALLENGE
Collecting all my personal rubbish for 1 week I will make an installation from it and post here as well as send to Daves website.
Its amazing what we toss away without noticing.
To try the challenge yourself Go to Sustainable Daves website.
http://sustainabledave.squarespace.com/ THE LANDFILL PROJECT
Ive been invited to create art from a used metal hubcap and send it to Landfillart in US.
Landfillart is an international effort encompassing one-thousand-forty-one (1,041) artists to claim a piece of rusted metal garbage and create fine art.
www.landfillart.org

‘Happy New Year ” & New Thoughts

Thursday, January 1st, 2009

HAPPY NEW YEAR TO ALL!!!! Best Wishes for an extraordinary year ahead.

As usual an artist’s work is never done. So many ideas and projects I want to do over the next couple of years I just hope to have enough energy and money to keep up with it.

A few thoughts came to me recently……

I like the idea of artists diversifying and crossing over into other areas with their work. I like to think the role of an artist is to leave the audience astonished, unsettled, to give something exciting , new and innovative and to experiment and not just think of art in a frame mentality.

Conceiving art as an “experience”, not just viewed at and moved on.

Over the past couple of years, my work has been moving in all directions. I thought I was an Abstract painter only, but now, I also delve into sculpture, collage, video, photography, art publishing , design, wearable art, handmade crafts etc and the lists goes on and on.

So , as an artist, whatever you are doing at the time, that’s your art and labeling yourself as a certain type of artist can be so restricting and may not allow ideas to grow and flourish.

By working this way while, keeping an open mind, it allows me to discover new ways, of self expression at a more deeper level. At the same time, I feel more connected to the world, past, present and future.

I’m more in tune, alert.

Discoveries, are exciting and stimulating for the artist. It helps me to progress in my work and learn new ways of looking, doing and thinking enhancing my arts practice…….

So, whatever art you do, use your “artspace” for confrontation, clash for the unexpected with a non- programed response and it may lead you to other things. Experiment and venture into areas where you have no experience and see what happens …..