Posts Tagged ‘Art materials’

Experimentation & New Free Tutorials Page.

Wednesday, October 14th, 2015

Experimentation & New Free Tutorials Page.

My blog updates have been scarce lately, as, Ive been studying a couple of arts business and creative courses. This week I created a new “Free Tutorials”  page, where I share some of my favorite, creative ideas and things to do.

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I’ve also, been experimenting with shellac and acrylic paints in the studio

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and plan to create some textile and sculpture pieces too.

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After working on many creative projects and group exhibitions, here and overseas, the past couple of years

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I really think it’s time, to get back into a gallery and start exhibiting again in 2016.

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So, I’m looking for suitable spaces in Melbourne or Sydney, that aren’t too expensive.

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My favourite thing to make, at  Free Tutorials  is my large studio easel. I created it when I built my studio in 2000. I wanted something big, so I could work on many paintings at once. It’s a bit slap happy, (I’m no carpenter) but, works perfectly for me.

Gestural Acrylic Paintings. Mixed Media on Canvas.

Friday, June 26th, 2015

Gestural Acrylic Paintings. Mixed Media on Canvas.

Mixed media on gallery stretched canvas.

Acrylic paint & oil pigments.

 

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Spontaneous gestural marks

 

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with a play of colour

 

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and forgotten marks

 

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on gallery stretched canvas.

 

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Landscapes of traces

 

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left behind

 

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in the environment

 

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and mind.

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Each painting measures, 40cm. x 30cm. x 4cm.

 

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Year completed, 2015

 

 

No. 2. Old clothes. Recycling. Art Making.

Sunday, March 1st, 2015

Follow-up from a previous post  Old clothes. Recycling. Art Making.

Playing with textiles, wax and trying to work out my new camera.

De-constructing a man’s suit.

 

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Wafers of wax, felt & linen

 

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Specimens to play with flesh- like

 

 

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Waxed string twined

 

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Spirals

 

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Hand- sewn surface marks

 

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Links to Joseph Beuy’s  felt works and underground spaces seen in Paris

 

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Similar to scientific or, geological specimens from an antique book

 

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Old Clothes. Re-Cycling. Art Making.

Monday, February 9th, 2015

Before, I throw anything away, I like to see if I can use it in my creative ideas. Not only am I dealing with issues concerning, over- consumption, re- cycling & renewing, I also love using the found material and always have a ready supply of art materials available.

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Recently, I acquired a large amount of men’s ties, I’m pulling apart, to create abstract paintings.

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I also have 3 wardrobes of old clothing, I’m slowly, using to make textile art pieces, books and more. The physical act of pulling apart and de-constructing my own clothing, connects me to the textures, memories and history of the piece. The materials are then, made into new ideas, re- introduced and re- valued.

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Paper packaging, used coffee filters, table napkins and clothing dyed and baked in coffee, tea and rust

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Vintage jumpers, jeans and shirts, torn and cut ready for book-making and other projects

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Artwork in progress using scraps of vintage sheer curtain and upholstery material, rust dyed.

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Thoughts on Collage.

Sunday, August 31st, 2014

 

My 10 quick thoughts on creating original collage.

 

"13 pour" Jenny Davis

“13 pour” Jenny Davis

 

1. Just when you think you’ve got it licked, it can change, by adding one tiny piece of paper, or mark.

 

"Bitter Interception" Jenny Davis

“Bitter Interception” Jenny Davis

 

2. Collage can’t be controlled, trust in the doing.

 

"No" Jenny Davis

“No” Jenny Davis

 

3. If you don’t like something tear it off, paint or paste over it.

 

"Generous Nation" Jenny Davis

“Generous Nation” Jenny Davis

 

4. By elimination, breaking and tearing to restructure the work, you can open up a new vision.

 

"Clash 3" Jenny Davis

“Clash 3” Jenny Davis

 

 

5. Text adds interest and throws it off again. Do you take it literally, or as a design element?

 

"De'ranger" Jenny Davis

“De’ranger” Jenny Davis

 

6. Working on the whole collage at once and not just in one area, is more satisfying.

 

"Clash" Jenny Davis

“Clash” Jenny Davis

 

7. Elements of design come into play too. Colour, shape, texture, line and form.

 

"84" Jenny Davis

“84” Jenny Davis

 

 

8. When creating collage, I use the same cognitive process as when painting.

 

"Torn" Jenny Davis

“Torn” Jenny Davis

 

9. It’s all about trusting the creative process, your intuition, taking risks and challenging yourself.

 

"Paris Burning" Jenny Davis

“Paris Burning” Jenny Davis

 

10. It’s also heaps of fun expressing yourself in this way!

Back to “Free Tutorials”

Sun Prints. Coffee. Vintage Textiles.

Saturday, August 23rd, 2014

Experimenting today with sun prints using coffee and the sun

Vintage damaged cloth stretched over wooden frames with French flourish stamping

 

Tattered antique French doilies placed on top of stretched cloth

 

 

Using the doilies as a stencils spray with coffee and vinegar diluted in hot water and leave under the sun for an hour or so

 

 

Resulting in subtle ghostly images embedded for further embellishment later

 

Iron each image 3 mins. to make colour fast

 

Handmade Books. Recycling.

Monday, April 14th, 2014

Jenny Davis_ Handmade Book

I love to recycle packaging, junk mail and advertising materials into books

 

Jenny Davis_ Handmade Book

I like the freedom of designing my books as I make them, discovering ideas along the the way

 

Jenny Davis_ Handmade Book

Its amazing how much packaging can be saved over time

 

 

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For this book I used cereal packaging with a peephole and pasta boxes with acetate windows for the interior pages

 

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and sealed the pages with white Gesso

 

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only on one side because I liked the dark look of the cardboard ( later I painted them with Parisian essence to age )

 

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On the cover I used double sided tape to stick down the tabs

 

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to make it more sturdy

 

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The little window will have something inside

 

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Taking a load of baguette bags I bought back from France

 

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I scrunched them up into balls and wrinkled them

 

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opened them up and stuck them to the cover packaging with pva glue

 

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This gave the cover an oldish feel with a lovely rough texture.French text shows through the window

 

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I covered the inside with some French text from a 1900’s magazine, stamping and my hand drawn doodle drawings.

 

Jenny Davis_ Handmade Book

 

I didn’t like the brightness of the gessoed pages so aged them with washes of Parisian essence

 

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When dry I cut off some of side flaps from the inside pages saving them for tags and pockets later

 

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I didn’t have an awl to make the holes for binding the book, instead I used a hammer and nail. It worked fine

 

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I punched 3 rows of holes weaving in and out with cotton mop thread

 

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leaving a tail inside I then plaited the threads and added a piece cardboard for a bead thing

 

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The extra holes seen were a mistake and can be covered up with more baguette paper and glue later

 

Jenny Davis_ Handmade Book

 

Jenny Davis_ Handmade Book

 

Side flaps on some of the pages hold piles of water colour papers for collage and drawing

 

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They are tied with cotton mop thread

 

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The loose water colour papers are white and hand dyed with Parisian essence

 

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See through windows add more interest

 

Jenny Davis_ Handmade Book

 

Jenny Davis_ Handmade Book

 

Pockets and string hold found papers and tags. The book is still not finished and I will probably add more tags and pockets

 

Jenny Davis_ Handmade Book

 

Toggles were sewn on the front with a string to close

 

Jenny Davis_ Handmade Book

This book has a Japanese feel to it and measures 24 x19cm. 5 pockets hold 40 pieces of water colour paper with another 12 pages. Some have windows.

I try to keep on top of my collecting by making something with the packaging every few weeks.

What do you make from your junk?

Heat Wave. QR Codes. Astronomy.

Wednesday, March 12th, 2014

Work in progress… Sculpture installation

 

Heat wave Melbourne. Australia. 11/02/2014

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no electricity

 

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moon space through glass windows

 

 

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iphone in pocket

 

 

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QR code tells more

 

 

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boxed up

 

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getting there

 

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The Travelling Artist

Saturday, March 8th, 2014

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Wherever I go I like to have all my art materials in one place encase I need to jot down an idea, or for when I get that creative burst.

 

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So, when I found this old case I knew exactly what I would do with it. I made myself a personal art kit for when I go out and about. I keep this case in my car and it goes everywhere with me. I also have a smaller kit for when I travel overseas. This kit is much lighter so I can collect art materials along the way

 

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It has everything I need for drawing, painting, collage, photo transfer, stamping and writing

In Transit series of collages

 

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Acrylic paints and ink in a pouch my daughter gave me

 

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Chalk in a vintage medical tin

 

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Water colour paints, coloured pencils and double sided tape

 

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Brushes for painting, pens for drawing and writing, felt pens, graphite pencils, knife, scissors and glue stick for collage

 

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Paint swatches

 

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Collage papers in a plastic pouch.  Mixed lot of vintage and newer papers

 

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Hand- dyed coffee filters, vintage wallpaper, labels and book pages

 

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Stained printed matter and newer papers

 

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Old music prayer book

 

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1932 school book full of hand drawn  world maps

 

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1960s New Idea magazine for cutting

 

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Old advertising

 

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Vintage encyclopeadia pages sealed with a layer of translucent gesso paint

 

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A book of hand-made French paper

 

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Small canvas boards and palette, matt and gloss medium for collage, painting & transfers

 

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Mini stamping kit in old cigar tin

 

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Stamp pad, tiny rubber text stamps in matchbox, stamp holder and tweezers

 

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I also carry a selection of my hand made artist books in progress to work in.

 

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My books are made from found papers, junk mail, advertising

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used envelopes, cereal boxes and food packaging

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Embellished with used clothing labels, tags, stamps, stickers, pen ,ink and found fabric scraps

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sewn with thread or wire and filled with whatever else I find in my travels

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It’s amazing how much I can fit into the case

 

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Do you have a portable art kit ?  Whats in your art kit ?

See Jenny’s portfolio here

Back to “Free Tutorials”

Homemade Gesso!

Thursday, January 16th, 2014

Update 2018! Since writing this recipe in 2014, Ive been using this homemade Gesso recipe, for 14 years now and haven’t had an issue, with ageing, layers coming apart, seepage, changes in colour etc. on any of my artworks. I use it with both oil and acrylic paints. I also seal my papers with it when, making books, sewing on paper, paper for collage, painting with paint, inks etc. As to the quality, I find the homemade isn’t as white, but just as good quality, as professional artists Gesso. I also use store bought gesso too, if I’ve run out and for convenience. My version is more gritty, than store bought, but if you sandpaper in between coats, I find it’s not an issue. For me, this recipe is just as good as, the store bought and if you use archival PVA/Elmers glue, it will make it all the more stable, for longevity.

Homemade Gesso!

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue (archival if available)

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

Update 2018! Ive been using this recipe for 14 years now and have had no issues with ageing , seepage. I use it with oil paintings and acrylic artworks. I also seal my papers with it when making books, sewing paper for collage, painting with paint, inks etc.

 

“Artplay” Day One

Tuesday, November 5th, 2013

My first practical day of the “30 Days of Collage” by Stephanie Levy course.

It was Melbourne Cup Day  so this was a good excuse for me to grab a (naughty snack attack) stash to help me along with my artplay day. I gathered all my paints , crayons, salt, tapes and began.

The first lot of images are the process using, paint with salt, glue , tape, pastel and more…The second lot of images are the finished result.

 

 

What a fun way to get a big bunch of gorgeous papers together for creating collage and books !

 

and a few more papers felt pen, masking tape and water

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Textural Surface Paintings. Barcelona Spain.

Monday, October 29th, 2012

Textural Surface Paintings I did in Spain.
In 2005 I was artist in residence at the Can Serrat International Art Center in Barcelona, Spain. During this time I completed several series of works; which developed as a result of solitary expeditions into the surrounding areas.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Textural oil paintings on linen, linked to ancient Catalan architecture.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

My little paintings are rubbings from actual surfaces around the Barcelona, Spain.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ancient markings weathered , subtle & chalky

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I added colour to my work with pure powder pigments and oils, hand mixed in my studio.

 

 

 

 

 

 

 

 

 

 

 

 

See more of my artwork at Outlook8studio on Etsy

 

Recycled Aceo. Paris Packaging

Wednesday, April 25th, 2012

POCKET ART SERIES
Small one of a kind transportable patches of Abstraction ready to go…Compact pieces of art for people on the move. My pocket art pieces came about when I needed to transport artwork from country to country. They are small mixed media textile pieces connected to my love of abstraction textiles, text and street art.

Walking my way across the surface I use coloured wools and wires as I would my paintbrush or charcoal, adding, whatever interests me at the time including, advertising papers, cards and packaging from Paris

 

 

 

 

 

 

 

RUE PIERRE

 

 

 

 

 

 

 

OOH LA LA

 

 

 

 

 

 

 

HEARTS IN PARIS

 

 

 

 

 

 

 

TOURISTS

Each one is a tiny 3.5″x2.5″ – 9x7cm and they come snuggly displayed in a clear acrylic card holder

MATERIALS
Indigo blue denim
canvas cloth
wire
press stud
button
paris clothing label
originalParis stamp
Colored wools
found fonts
Acrylic sealer and more….

SIGNED and DATED by the artist

I really had fun creating these pieces and were created with a lot of care

Make a Large Studio Easel in 6 Easy – Peasy Steps

Saturday, February 4th, 2012

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How to Make a Large Studio Easel in 6 Easy- Peasy Steps

When I built my studio years ago, I needed to have a versatile easel. I couldn’t find anything suitable in the shops and my budget wouldn’t allow for much.  So, I went about creating one from my left over pieces of timber. I needed one that would take small to very large canvas’s all at once. I needed lots of space too. Being an abstract painter, I slosh paint and work very quickly, sometimes on many canvas’s at once. I wanted a permanent spac,e where I could work on small canvas’s 30x30cm up to very large ones 4 x 2 Meters . My easel ended up being 9 meters long x 4 meters high and after 12 years of daily use, my rough and ready easel is still going strong.

My simple Plan

Materials & Equipment

Cut yourself, or buy 2 equal lengths of  hardwood or pine, however long you want the easel to be. This is for the floor and wall runner that will hold all the upright struts.

Cut yourself, or buy equal lengths of hardwood or pine for the uprights. Decide how many uprights you want to hold your canvas .To get the length of each piece , measure from floor to top wall at the angle you want the easel to be.

Bolts, nails or screws

Wooden dowel lengths of wood for pegs

Drill with a “spade” drill bit the same circumference as the dowel pieces you have

(Spade bits are used for rough boring holes in wood.)

Tape measure

Hammer

Drill

Method

1.Everything will need to be measured and cut for the area your are working on.

2. Grab the floor runner piece, lay it perpendicular to the wall on the floor, judging the best space between the floor runner and the wall . Screw, bolt or nail to the floor at intervals to secure. (Note) Remember to allow enough space from floor runner to wall for a slight angle for the upright pieces of wood so your painting canvas can to sit without falling

3. Grab the wall runner piece and screw, bolt or nail to the upper wall at intervals and make secure.

4. Lay all your upright pieces of wood together on a flat surface together (floor )and take your drill with the spade bit and make holes from bottom to the top on all the lengths of wood. The spacing has to be equal across the whole lot.

(If painting the easel do this now before attaching to wall)

5. Take your pre- cut lengths of wood with the holes and sit each one so the bottom is sitting behind the attached floor runner and at the top against the wall runner with the holes facing you. Screw bolt or nail the upright struts to the floor runner and to the wall runner at top. (Note) Go along the floor runner at whatever spacing you want with the upright struts to be.

Almost done. Cut lengths ( 6inches) of dowel for the pegs that will hold all your canvas’s

Note: If the pegs don’t fit in the holes… Round off one end with sandpaper by hand, or with an electric sander.

All done!!!  Now grab your canvas and paint to your hearts content

What is a Glaze?

Monday, October 31st, 2011


Layers layers layers. Did you know? many of my paintings, especially oil paintings, have layer upon layer of pigment and glazes. Each painting can take many hours,weeks even months to complete.

What is a Glaze?
A glaze combines two or more transparent layers of paint, which have been applied over an opaque underpainting. Each transparent layer builds on the ones under them, creating new colors and added richness depth and interest to a piece.

Rembrandt would paint in layers, building from the back of the painting to the front, by using coats of glazes. He would use at least 15 layers of transparent glazes in many of his paintings. That is why they seem to glow and emerge from the darkness of the background.

A few good sites to find out how to create glazes in your paintings
http://painting.about.com/od/oilpainting/a/glazing_FAQ.htm
http://painting.about.com/od/oilpainting/a/Glazing_Tips.htm
http://painting.about.com/od/oilpainting/a/GeraldD_glazing.htm

Back to “Free Tutorials”

How to Rust Dye Fabric.

Tuesday, October 4th, 2011

Lately I’ve been experimenting with natural dyeing processes for fabrics and papers. I’m trying out rust dyeing at the moment. I want to build up a collection of natural and rust dyed fabrics and papers so when my next creative spurt comes around, I’ll have plenty to work with.

Over the years I have collected heaps of metal for welding my sculptures so have plenty bits hiding on my property just rusting away. The gathering of the metal objects, wrapping them with the fabric spraying with vinegar and binding with rope and wire is quite relaxing. I call it mummy wrapping.

It only takes a couple of hours for marks to appear but I like to keep mine for up to a week or two so I can get deeper impressions and colours. I discovered if I wrap fabric around old pieces of copper pipe the amazing green and red patinas are transferred to the fabric as well.

I’m happy with the end result and see connections to the abstract marks I create in my paintings. There are paintings in themselves

Go to my tutorial on Rust Dyeing here

The artists are taking over…

Friday, July 15th, 2011

The Artists are taking over…If you are heading to the Yarra Valley in Victoria, Australia to check out  The Archibald Prize at  Tarra Warra Museum of Art , don’t forget to pop into the thriving township of  Healesville.

Healesville is full of many quaint little cafes, restaurants, bakeries’ hotels, specialist delis, selling local gourmet foods and wines, second-hand /antique shops and eateries.

Recently the artists have taken over the town with the opening of many new spaces and galleries showcasing local artists and artisan’s wares.

One such space is “Artists Lounge” This shop is a real treat. A new corner gallery that has a Contemporary/Industrial feel to it. My favourite thing at “Artist’s Lounge” is the long black chalk wall running right along one side of the building, where you can make your mark amongst the contemporary artworks on display.

Friendly, Ali and Billy who run the space, have jam packed it with unique Contemporary art from the local Yarra Valley artists. You can browse the paintings and sculpture, but there is also an eclectic array of affordable, artsy items created by the artists.

I saw some lovely pieces of wearable art with handmade books, badges, cards, recycled arts, pottery, textile pieces, silk scarves, felting, and jewellery.

For the creative, they also sell high quality artist supplies and gorgeous papers to die for. If they don’t have what you are looking for they will order it for you.

So, grab yourself a cup of Billy’s delicious coffee and soak up the atmosphere and gorgeous things at “Artist’s Lounge” in Healesville

“Artist’s Lounge”
222 Maroondah Highway, Healesville.
Open Wednesday to-Sunday 10.30am -4.30pm
Phone 59625150
Email artistslounge.com.au
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Gleaning Paris for Art Materials

Thursday, July 14th, 2011

WATCH my…

Gleaning Paris for Art Materials video. From the streets of Paris I collect stuff,junk to create with, plus other inspirations behind my ideas. Works in progress from my studio’s in Paris, Spain and Australia. Photos taken in Paris, Spain and Australia.
All artwork copyright to Jenny Davis

Merci! Merci! Merci!

Friday, May 13th, 2011

My French son-in-law can be so much fun. When I go over to Paris we both go out and glean stuff off the streets. We do it on foot as we don’t have a car. Usually we leave my daughter at home as she is not as keen as us, to collect what we like. Once we are back at the apartment with our stash, I sift through it and set aside a little to play with and then I send the rest back home to Australia.

I haven’t been to France for over a year now and today I received a mysterious brown box in the post from Paris.I wasn’t expecting anything so, I was very excited to open it.

I eagerly opened the box and inside was a gorgeous pile of stuff. When I say stuff, I don’t mean glamorous things from Paris, like Loreal , Chanel or Louis Vuitton hand bags. I mean, the box was a treasure trove of French ‘detritus” litter, junk, rubbish. Stuff that usually goes into landfill, stuff gleaned from the streets of Paris. Food packaging, pretty boxes, champagne bottle tops, clothing tags, fabric scraps, glow in the dark bits of plastic, advertising and all kind of paper ephemera plus a replenish supply of baguette bags for my handmade books ….

All this wonderful stuff I reclaim and use in my collage and sculpture.

Merci, Merci , Merci !  Davidx

View my video on “Gleaning Paris for Art Materials”