Posts Tagged ‘mixed media’

Rust & Decay. Experiments with Rust Paint.

Sunday, November 19th, 2017

Everybody who knows me, knows, how much, I love metal, rust and decay. Many years ago, I collected old rusty, metal objects from the roadsides and turned them into sculptures. I also gained my certificates in welding. At the time, with myself and 3 children to support,  I welded in factories to make a living and in between, I made sculptures from the rusty found objects. I don’t weld much anymore, as it’s a problem for me to move around the heavy metal, but I still have a large collection of smaller bits, I use, to rust up, paper, objects and textiles for my projects. Lately, I have been playing around with some commercial rust paints.

 

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

 

Today, I tried out, Botanic’s rust paint, from L’essential in Australia. I love the fact they are all environmentally-conscious products, free from nasty additives and are preservative-free where possible. They smell good too. I’m very pleased with the result and it does, really look like rust.

 

Clay, Botanics Rust Paint, IOD Décor Moulds

 

The problem I have is, I need large amounts of rust paint for my projects and now looking for a brand with reasonable prices.

Maybe I could even make my own…

 

 

Homemade Gesso Paint!

Saturday, November 18th, 2017

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

 

To see this and more of my free tutorials, please go to  Tutorials I even show you how to make my large studio easel.

 

The Power of an Object. Identity through Object.

Sunday, November 12th, 2017

One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.

Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged  surfaces and patinas of collections, make their way into my abstract paintings, too.

 

 

Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio

 

 

Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.

 

 

Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded

 

 

This has lead me to many questions…

When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?

Through objects and belongings, can we feel connected to that person?

Can objects change, how we see others & ourselves?

 

 

 

 

 

Rustmatter. Limited Edition Artist Books

Wednesday, November 1st, 2017

Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis

Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)

Please click on photos to purchase!

Rust 2

 

Rust 3

 

Rust 4

 

Rust 5

 

Rust 6

 

Rust 7

 

Rust 8

 

Rust 9

 

Rust 10

 

 

 

Art Blog Diaries. Reminiscing & Evolving as an Artist.

Saturday, May 13th, 2017

I started this blog back in the early 2000’s as a sort of diary, to document my work and creative life and to give something back to others.

 

 

Going through some of my old posts recently, I was able to pin point, some pivotal moments in my life, of where my ideas and artworks originally came from, why my work and arts practice has changed and how, it’s evolved over the years, to where it is today.

 

 

 

After visits to Europe, UK and an arts residency in Spain, in 2005, I especially noticed some changes in the way I was working. Though I have always worked between disciplines, painting was always my main form of expression. I was becoming more dissatisfied with just painting and found it hard to do any creative work for awhile. Then, after a 3 month stay in France 2007, I realized I could no longer, only use paint, to express my ideas.

 

 

 

 

This led to a series of experimental installations, videos and a book of photographs. Touched by Dada and Surrealist ideas, I had to re-access what I was doing as an artist.

 

 

 

 

 

The installation and video below “Parisgrit” was shown at Tilt Gallery, in Melbourne in 2006. I can see quite a few interesting elements in it, but it’s way too long and very noisy. Maybe someday, I will get around to re-working it and revamping it into something else.

 

 

 

https://youtu.be/qUp3r-oEa-I

 

 

By looking back over my old blog posts or (diary entries) I find it helpful, to reflect on the areas, where I can make improvements and expand on previous ideas. I can also see where, my ideas have come from. I get a glimpse of how & why, my artwork, techniques and materials have changed over time and maybe where I could be heading in my arts practice.

The Venice Biennale 57. Wallmatter 17.

Saturday, May 6th, 2017

I just found out my painting “Wallmatter 17” has selected to be presented as a digital display at, The Biennial Project’s extravagant, event in Venice, Italy, during the opening/press week of The Venice Biennale 57. “La Biennale di Venezia”

Thank you The Biennial Project!

 

TITLE Wallmatter 17
MED Acrylic paint, lime, sand, cement, sealer on canvas. (Contemporary washed veneer wooden frame)

New Paintings. Overland Nomadic Wandering.

Sunday, April 23rd, 2017

In the media we are bombarded with images relating to the massive global refugee problem. Links to the landscape, tracing the inhuman, nomadic chaos of the exiled, wandering the earth at this time in history. Each painting has been created, using acrylic paints and oil pigment on stretched canvas. Varies sizes.

 

 

Title –  Deep Blue Walking

 

 

 

 

Title –  Blue on Ochre on Cream

 

 

 

 

Title –  Blue on Ochre on Grey

 

 

 

 

Title –  Yellow Walking

 

 

 

 

Title –  White Trail Walking

 

 

 

 

 

Old Army Blanket and Collage.

Friday, April 21st, 2017

Still working on small textile collages.

 

 

I found an old army blanket from my childhood and couldn’t resist  it’s raggedy worn, loveliness and further rusted it. Leaving it in the elements outside for a few weeks.

 

 

It can take ages moving pieces around to get the right composition.

 

 

then sometimes it just happens straight away.

 

 

 

Adding more marks…

 

The good thing about using a stretched canvas as a base, I can stitch right into it.

Just like using a embroidery hoop.

 

Working with Textiles. Textile Collage & Drawing.

Tuesday, April 11th, 2017

I am a visual artist who works with a range of mediums and my process varies.

 

 

I use which ever vehicle helps me to express my ideas. Each work informs the other and leads onto the next idea.

 

 

The collages I’m working on at the moment are a follow on from my hand sewn fabric pieces and with more experiments I can see 3d objects creeping in

 

 

 

 

Time, Change, Erosion and Decay + Freebie Rust Dyeing Tutorial

Friday, March 17th, 2017

The process of transformation. Time, change, erosion and decay are qualities I like to celebrate. I examine and explore, the properties and possibilities, of my material and want to push the boundaries of something to get a deeper understanding.

In my latest project, I’m working with textiles over a 100 years old. I want to work with the worn and deteriorated textiles and collaborate alongside those, who in the past, so carefully stitched, mended and created, the pieces for comfort and warmth.

Each piece was once, carefully hand -stitched and now, breaking down and worn. I have very selectivity pulled apart and unpicked areas, and kept some intact.

Some areas of fabric, are so badly worn it breaks in my hands, so I have to reinforce it. Most pieces though are just left in their original state.

I then, like to push the process further with, natural & rust dying methods, mark making, hand stitching and painting with caste iron, botanical paints.

Numerous times, I expose the materials to the elements to experience the changes.

Getting to the essence of my material helps me to translate and describe its being. I rarely know the outcome of my projects and just go with the flow.

Wanting to know how to rust – dye?  Please see my  free rust – dyeing tutorial

Stuck for Ideas.

Tuesday, February 28th, 2017

Sometimes, when I’m stuck for ideas making artwork and it’s just not happening, I  like to throw a heap of things together and arrange them near my work.

The items, may relate in colour, texture and type or be opposing which, I find much more exciting. Your brain will automatically try to come up with solutions. Expanding your ideas and creating new ones.

The flow on of ideas is sometimes amazing. It can lead to, resolving the artwork in front of you, as well as, give you ideas for a whole new body of work.

Juxtaposition and connections of items together seems to work for me.

I believe there is a creative force that is connected to everything we do.

Mixed- Media Collage on Vintage Book Pages

Wednesday, December 21st, 2016

Mixed- Media Collage on Vintage Book Pages

3 abstract artworks
Size: Each artwork
Artwork 7.5″ x 5.5″ – 19 x 14cm
Size: with matt, 10″ x 8″ – 26 x 20cm.
Year 2016

“No Goodbye”

 

Mixed media collage. Found book paper, archive grey matt, thread on vintage book pages (Unframed)

 

“Indigo”

 

( Artwork is matted ready to frame)

 

“Air Attacks”

 

Signed and dated on the back.

 

 

Wallmatter. New Paintings and more available in the Gallery.

Monday, December 5th, 2016

New Paintings, sculpture and more available in the Gallery   Some are already framed others are ready to hang with all hardware attached.   Shipping included in the price!

I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.  The paintings below are about the connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces.

Wallmatter 13

 

 

 

 

 

 

 

 

 

 

 

Wallmatter 13

 

 

 

 

 

 

 

 

 

 

Wallmatter 17

 

 

 

 

Wallmatter 17

 

 

Wallmatter 14

 


 


 

     

Wallmatter 14

 

 

 

Wallmatter 16

 

 

 

 

Wallmatter 16

 

 

 

Wallmatter 12

 

 

 

 

Digital Collage and Photoshop.

Wednesday, November 16th, 2016

Digital Collage and Photoshop.

When making my art, I rarely follow rules. Not knowing, techniques, materials and technology, doesn’t bother me and can be a blessing. It gives me more freedom to play around and discover things, that wouldn’t otherwise, be found.

A few images of recent experiments in Photoshop and other programs using my own artworks.

 

 

jenny-davis_d-collage_-2016_7s

 

 

jenny-davis_d-collage_-2016_s

 

 

jenny-davis_d-collage_-2016_2s

 

 

jenny-davis_d-collage_-2016_6s

 

 

jenny-davis_d-collage_-2016_3s

 

 

jenny-davis_d-collage_-2016_5s

 

Do you always follow the rules when creating?

 

Concretematter. New Sculpture in the Gallery.

Wednesday, July 27th, 2016

New Sculpture in the Gallery. Concretematter.

New sculpture available from my exhibition at The Memo,in Healesville Victoria Until Tues.16th August 2016

Jenny Davis_Wallmatter Exhibition_2016 16s

For more information please contact

Jade Bitar
Regional Exhibitions Officer
03 5965 3509 / 0419 384 526
exhibitions@yarraranges.vic.gov.au

Concretematter

To construct my 3D objects, I have used various methods: eco rust and Japanese Shibori dyeing, molding, casting, curing, sanding, chiselling, engraving, embedding, propagating, tearing, burning, sealing and finishing. To create the pieces, I combine hard and soft materials: industrial concrete, found packaging, lichen, moss, seaweed, vintage glass, cloth fragments and rusted found objects.

 

Concrete Sculpture 52a

 

Concrete Sculpture 2c

 

Concrete Sculpture 49a

Concrete Sculpture 47a

Jenny Davis_Concretematter_Wallmatter Ex 2016

 

Concrete Sculpture 44a

 

Concrete Sculpture 42a

 

Jenny Davis_Wallmatter Exhibition_2016 small

 

Concrete Sculpture 37a

 

Concrete Sculpture 36a

 

Jenny Davis_Wallmatter Exhibition_2016 17s

 

Concrete Sculpture 27a

 

 

Concrete Sculpture 32a

 

Jenny Davis_Wallmatter Exhibition_2016 s

 

Concrete Sculpture 23a

 

Concrete Sculpture 24a

 

DSC_0003smsall

 

Concrete Sculpture 10a

 

Concrete Sculpture 11a

 

Concrete Sculpture m2

 

Concrete Sculpture 13j3

 

Concrete Sculpture 3d

 

Concrete Sculpture 3I

 

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

Jenny Davis_Wallmatter Exhibition_2016 5s

 

Jenny Davis_Wallmatter Exhibition_2016 4s

 

Jenny Davis_Wallmatter Exhibition_2016 16s

 

Jenny Davis_Wallmatter Exhibition_2016 3s

 

Jenny Davis_Wallmatter Exhibition_2016 8s

“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

Jenny Davis_Wallmatter Exhibition_2016 s

 

Jenny Davis_Wallmatter Exhibition_2016 19s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 2s

 

Jenny Davis_Wallmatter Exhibition_2016 17s

 

Jenny Davis_Wallmatter Exhibition_2016 7s

 

Jenny Davis_Wallmatter Exhibition_2016 11s

 

Jenny Davis_Wallmatter Exhibition_2016 15s

 

Jenny Davis_Wallmatter Exhibition_2016 13s

 

Jenny Davis_Wallmatter Exhibition_2016 12s

 

Jenny Davis_Wallmatter Exhibition_2016 9s

 

Jenny Davis_Wallmatter Exhibition_2016 10s

 

Jenny Davis_Wallmatter Exhibition_2016 14s

Unresolved, Revenge, Dangerous, Strange. Published Artworks.

Tuesday, June 14th, 2016

 

 

As mentioned in my previous post, here are some photographs from my published article in “Sew Somerset Summer 2016” magazine on, how to make your own mixed media collage’s, from vintage, Pulp Fiction paperback books or, any other damaged books.

 

 

Vintage Pulp by Jenny Davis m

 

 

I love reclaiming and re-using, old tattered books that would otherwise, be tossed in the garbage giving them a new life and a new meaning. Instead of them being destroyed and forgotten.

 

 

Vintage Pulp by Jenny Davis 1m

 

I collect discarded objects and litter from the streets, along with items people would otherwise throw away and use them in my art and installation work. I physically dismantle my collected items, and then reassemble them, with the intention to reconstruct its purpose, from its earlier meaning and appearance.

 

Vintage Pulp by Jenny Davis 4m

 

 

My artworks are little mixed-media collage’s, created from, vintage “Pulp Fiction” book pages, old linen cloth, thread, paint, coloured pencils and ink.

 

 

Vintage Pulp by Jenny Davis 14m

 

As a thank you to all my readers Use Coupon Code PUBL0616 for a  50% discount on this magazine when you checkout at Stampington.com, and buy four (4) or more copies of the title. Click on image below!

 

Vintage Pulp Artwork & Article Published in US. Magazine.

Saturday, June 4th, 2016

Artwork & Article Published in US. Magazine.

 

 

Vintage Pulp

Congratulations on having your artwork and article published in Sew Somerset!

Earlier this year I was approached by Stampington & Company in the USA. to write a feature article, about my mixed- media collages, for their magazine.

Today I am happy to announce my article and artwork has been published and is featured in the latest, “Sew Somerset Summer 2016” magazine.

 

Jenny Davis_Cloth Collages_8 x 6inches smallJenny Davis_Cloth Collage Backs_8 x 6inches

 

My paper mixed media collages, are created from old, damaged, vintage pulp fiction book pages, vintage pieces of linen and more. I will post photographs of the article and where you can buy the magazine soon!

 

Experiments with Concrete Cloth and Rust. Sculpture.

Sunday, May 15th, 2016

Experiments with Concrete Cloth and Rust. Sculpture.

Just a quick update about what Ive been doing lately.

 

IMGP0141s

 

Work for my exhibition was almost finished, until, I discovered a bunch of rusted textiles Id forgotten about. Now, I want to make more sculpture. A solid form with thin wafers of cloth, concrete and rust.

 

Jenny Davis_Concrete Mixed Media s7

 

Today, I’m heading into the studio to work out how to achieve this. Wet concrete is very formless so pouring, layer, upon layer of cloth then, concrete, in a mold, just wouldn’t work. The cloth would get covered with concrete on the outer edges and I want slices of cloth sticking out and visible on the outside.

 

Jenny Davis_Concrete Mixed Media 2s

 

Funny thing is, when I Googled it, all I came up with was my own experiments and work with concrete, cloth and rust.

 

Jenny Davis_Wallmatter Sculpture_ 2016

 

So, I’m now in the process of inventing how to do this:)

More details about my “Wallmatter” exhibition coming soon!

 

 

Experimental Painting. Industrial Materials and Methods.

Friday, April 22nd, 2016

Experimental Painting. Industrial Materials and Methods.

Its been almost a year since I started this group of paintings using traditional, non traditional, industrial, materials and processes. There are 20 paintings altogether.

After several months of research and practical experiments, I finally discovered how to make my textural, gritty surfaces, stable and permanent for a flexible base.

 

Jenny Davis_Wallmatter Studio1_Workinprigress

Jenny Davis_Wallmatter Paintings lot_ 2016

Jenny Davis_Wallmatter Paintings_ 2016

Jenny Davis_Outlook8studio

_20160416_075432

Jenny Davis_Wallmatter Paintings closeup2_ 2016

Jenny Davis_Wallmatter Paintings_Mixed Media_ 2016

Jenny Davis_Wallmatter Paintings closeup_ 2016

Jenny Davis_3 Wallmatter Paintings _ 2016