Posts Tagged ‘outlook8studio’

The Power of an Object. Identity through Object.

Sunday, November 12th, 2017

One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.

Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged  surfaces and patinas of collections, make their way into my abstract paintings, too.

 

 

Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio

 

 

Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.

 

 

Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded

 

 

This has lead me to many questions…

When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?

Through objects and belongings, can we feel connected to that person?

Can objects change, how we see others & ourselves?

 

 

 

 

 

The Life of a Painting. Changing Back to Oil Paints.

Sunday, November 5th, 2017

A few years ago, I changed from oil paints, to acrylics, after I became allergic to the turps. I’m still not used to painting with acrylics as, I just love the lushness, depth and movement of oil paints. Something, I haven’t been able to achieve with acrylics. So, recently I bought some oil painting supplies, eco friendly turps, to see, if I’m still allergic to it.

 

The life of a Painting.

Oil paint , medium, wax on canvas

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sometimes I think, I should stop earlier, when its fresh and spontaneous, but usually keep going. I  just have to trust the process and know, that eventually, I will end up with something I’m happy with.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I will revisit the painting, in a few days time to decide, whether I will take it further. At the moment, I’m feeling, times long past.

Rustmatter. Limited Edition Artist Books

Wednesday, November 1st, 2017

Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast – offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls & graffiti.One of a kind, handmade ( Limited Edition) artist books from Australian contemporary artist Jenny Davis

Each book consists of:
1 Vintage cigar tin lined with eco- dyed crochet scrap in Shibori- dyed indigo blue, or rust.
1 Handmade concertina artist book, collage with rust – dyed papers and slow stitched with Japanese Shibori threads.
A vintage button with an 1800’s, rusted suspender buckle, winds around the book to close. Some buckles have “Paris” engraved.
1 Scrap piece of rust – dyed canvas cloth, frayed, embellished with slow stitching.
1 Handmade collage created from aged, rust paper, antique suspender buckle and slow stitching.
2 photographs in an acrylic pouch, taken beneath the City of Paris, France.
1 rusted fence loop found in the outback Australia.
(Each artist book is original, handmade and differs from the other. They are all created from the same materials though, making each one, a collectable piece of art)

Please click on photos to purchase!

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BOAA – Biennale of Australian Art 2018.

Thursday, June 15th, 2017

I am happy to announce I have been selected from 800 artists across Australia, to be part of BOAA-Biennale of Australian Art  in 2018.

 

 

BOAA is a multi layered art festival with various opportunities for artistic engagement. My work will be part of the ‘Hit Me With Your Best Shot’ project, which will be BOAA’s largest installation. Supported by the City of Ballarat, this installation will form an impressive sea of images representing artists Australia wide and it will be displayed in Ballarat’s historic Mining Exchange building.

 

Mixed- Media Collage on Vintage Book Pages

Wednesday, December 21st, 2016

Mixed- Media Collage on Vintage Book Pages

3 abstract artworks
Size: Each artwork
Artwork 7.5″ x 5.5″ – 19 x 14cm
Size: with matt, 10″ x 8″ – 26 x 20cm.
Year 2016

“No Goodbye”

 

Mixed media collage. Found book paper, archive grey matt, thread on vintage book pages (Unframed)

 

“Indigo”

 

( Artwork is matted ready to frame)

 

“Air Attacks”

 

Signed and dated on the back.

 

 

Wallmatter Exhibition Photos – Jenny Davis – 2016

Thursday, July 14th, 2016

Wallmatter Exhibition Photos – Jenny Davis – 2016

A huge thank you to everybody who attended the opening of my new exhibition Wallmatter last Saturday. A special thank you to all the people who helped me pull it altogether and make it a special day.  I feel so blessed and encouraged with all the support shown for my artwork and the new friendships I made.

Wallmatter continues until Tuesday August 16th at The Memo, Healesville Victoria. Free Entry. All artworks are for sale.

A few photos I took the next day as I forgot my camera on opening night.

Wallmatter

An installation of paint, concrete, rust and
textiles, inspired by imperfections and
weathered surfaces, linking to the abandoned
and neglected spaces found in urban and rural
environments.

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“Surfaces and objects touched by time tell a
story and are a raw reflection of their environment.
I want to highlight the significance of a random
mark, or the crumbling texture of a wall in an
underground space. They are evidence to a
previous time in history. My abstractions are
investigations into marks and traces left behind
in the urban and rural environment.”
– Jenny Davis, Artist

 

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Unresolved, Revenge, Dangerous, Strange. Published Artworks.

Tuesday, June 14th, 2016

 

 

As mentioned in my previous post, here are some photographs from my published article in “Sew Somerset Summer 2016” magazine on, how to make your own mixed media collage’s, from vintage, Pulp Fiction paperback books or, any other damaged books.

 

 

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I love reclaiming and re-using, old tattered books that would otherwise, be tossed in the garbage giving them a new life and a new meaning. Instead of them being destroyed and forgotten.

 

 

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I collect discarded objects and litter from the streets, along with items people would otherwise throw away and use them in my art and installation work. I physically dismantle my collected items, and then reassemble them, with the intention to reconstruct its purpose, from its earlier meaning and appearance.

 

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My artworks are little mixed-media collage’s, created from, vintage “Pulp Fiction” book pages, old linen cloth, thread, paint, coloured pencils and ink.

 

 

Vintage Pulp by Jenny Davis 14m

 

As a thank you to all my readers Use Coupon Code PUBL0616 for a  50% discount on this magazine when you checkout at Stampington.com, and buy four (4) or more copies of the title. Click on image below!

 

Experiments with Concrete Cloth and Rust. Sculpture.

Sunday, May 15th, 2016

Experiments with Concrete Cloth and Rust. Sculpture.

Just a quick update about what Ive been doing lately.

 

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Work for my exhibition was almost finished, until, I discovered a bunch of rusted textiles Id forgotten about. Now, I want to make more sculpture. A solid form with thin wafers of cloth, concrete and rust.

 

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Today, I’m heading into the studio to work out how to achieve this. Wet concrete is very formless so pouring, layer, upon layer of cloth then, concrete, in a mold, just wouldn’t work. The cloth would get covered with concrete on the outer edges and I want slices of cloth sticking out and visible on the outside.

 

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Funny thing is, when I Googled it, all I came up with was my own experiments and work with concrete, cloth and rust.

 

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So, I’m now in the process of inventing how to do this:)

More details about my “Wallmatter” exhibition coming soon!

 

 

Arts Business Ideas. Artist’s Websites. Jenny Davis.

Monday, April 25th, 2016

Arts Business Ideas. Artist’s Websites. Jenny Davis.

Outlook8studio -Jenny Davis

 

Over the past 14 years, I have been promoting and selling my art online, as well as, exhibiting my artwork worldwide. I have also had many artists contact me, during this time, wanting to know, how I market, promote and sell my artwork on and offline. So in this post, I would like to share a few things I’ve learned from having my own, artist’s website and a few other arts business tips.

 

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Very early on, I learned, if you want people to take you seriously, your career as an artist is only as serious as you take it. You either work at it, as a job, putting in “regular” hours, or “occasionally” as a hobby. Its either a hobby, or your job. As a working artist its about working on your art day by day, as well as, marketing your art in all areas.

 

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I think every artist needs a website! With some hard work in the initial stages of setting up your own website, it’s always, worthwhile, getting your art online. In your own space you can do anything.

 

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Exposing your art online, helps promote and gets your work seen worldwide by potential collectors, gallery directors and other artists for collaborations and projects. Remember though, you are also competing with millions of other artists artwork, as well. So, your website, which is your online creative space, has to be place where, people will want to stop and spend time.

 

 

Handmade Brushes_ Jenny Davis

 

After the initial set-up of my own website, with the generous help of several family members, (who I am forever grateful too) I then, had to put in the hard yards myself and learn the rest. I did many courses, tutorials and googled everything, I wanted to know. I soon found out, it’s not just a matter of making the website, uploading your artworks and sitting back, waiting for sales to walk out the door. Sounds great! But, it doesn’t usually work that way.

 

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You have to work really hard on your arts business and take it seriously. Mostly on a daily, or weekly basis, promoting, marketing, photographing artworks, descriptions, layouts, seo, meta tags, as well as, getting your website seen in many areas, including search engines.

 

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Social media is one way of getting your website seen if you post regularly. A Facebook business page,  Twitter and Instagram account will help you get a following, who in turn, may visit your website to find out more.

 

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Create newsletters, blog posts set- up exhibitions and share your art life with others on your website. Network and collaborate with other artist’s on forums and in art groups.

On your website and social- media sites, its good to share, how you make your art, your challenges, your successes. Make it real! This will build up a following of people who are genuinely interested in your art, and, in what you do. People want to trust and get to know an artist, before they buy online.

 

 

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Unless your famous, well known, or an established artist, picked up by reputable galleries, as a working artist, you really need to learn, how to diversify with your art.

It may not suit every artist, but, if you want to make a living from your art, these days, you need to be a creative business person too. Be open to, exploring other creative avenues, for sales and work. Your bread and butter money. This can be done alongside making, your more, serious gut- felt work for exhibitions and projects

 

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My bread and butter online websites Outlook8studio, Strazz and Atelierinparis I do have a vintage shop, as well,  Nostalgi but, after 8 years of being on Etsy, I am in the process of downsizing all shops and combining some together. Many thanks to some wonderful business advice, I received from Penny! at Sparrow Savage recently.

 

Modern living room with white colors

 

When uploading your artwork images onto your website, always make sure your photographs are professional looking, not blurred and as close possible to the colours in your original artwork. After-all,  it’s your photographs that sell your art, online.

 

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Great customer service is a must! Quickly answer any questions and concerns your customer may have. Don’t argue with your customers and be polite. If you do come across a problem, try to stay calm, cool and business- like, in your correspondence with them. They will eventually go away, but a bad business reputation won’t online.

 

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Packaging your artwork. Wrap your artwork professionally. I like to include a hand- signed “Certificate of Authenticity” (A statement that a work of art is genuine) with my artworks. To package small to medium size paintings on stretched canvas, I first wrap layers of acid free, tissue paper around the painting, then cut out a piece of stiff cardboard for each side. Bubble wrap it all, then pop the package into a custom- made box. A “thank you” note and instructions on how to look after the artwork, included in your package, goes a long way. Remember to slip in some extra business cards too, that can be passed onto other potential collectors/customers.

 

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If your artwork needs to be framed behind glass, I would suggest using, crystal clear perspex instead of glass. It looks like glass and is much safer and lighter, to ship, especially internationally, without the costs of breakages.

Once you get used to having a website and a presence online. It does get easier and is not so overwhelming. You may find by having your own website, it will open up a whole new world of opportunities for you and your arts business as well get your your artwork sold and out of the studio.

 

Jenny Davis_Wallmatter Paintings lot_ 2016

 

What do you do to get your art seen online?

 

 

Concrete. Rust. Textile. Sculpture. Work in the Studio.

Sunday, April 3rd, 2016

Concrete. Rust. Textile. Sculpture. Work in the Studio.

Experiments with concrete, rust and textiles in developing sculpture.

 

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Junk packaging for mold making

 

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Taped up packaging filled with concrete, rust and cloth.

 

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Poured wet concrete sculpture

 

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A series of 3D objects in the making

 

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The first raw reveal after 24 hours. At this stage, I need to make my final decisions and changes to this sculpture, while the concrete is still soft enough to work with. I discovered in some of my earlier experiments, once its rock hard, its more difficult to work with.

 

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I am still working on this series of sculptures using concrete, rust and textiles that will be part of my “Wallmatter” exhibition.

 

Bring some art into your life!

Wednesday, December 9th, 2015

Bring some art into your life!

 

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Yellow Square. Jenny Davis 2015

 

Art can help us to make sense of the world and broaden our experience and understanding.

 

 

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11 + 89. Jenny Davis 1998

 

It allows us to develop new ways of thinking and expressing what might not be understood through the printed or spoken word alone

 

 

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Letters from the border 1. Jenny Davis 2006

 

Art not only helps strengthen our critical thinking skills, but improves the way we communicate our thoughts and emotions to others

 

 

Terras Tower by Jenny Davis

Terras Tower. Jenny Davis 2015

 

It is free expression of human mind and senses

 

 

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Wallmatter Series. Jenny Davis 2015

Bring some art into your life!

Experimentation & New Free Tutorials Page.

Wednesday, October 14th, 2015

Experimentation & New Free Tutorials Page.

My blog updates have been scarce lately, as, Ive been studying a couple of arts business and creative courses. This week I created a new “Free Tutorials”  page, where I share some of my favorite, creative ideas and things to do.

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I’ve also, been experimenting with shellac and acrylic paints in the studio

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and plan to create some textile and sculpture pieces too.

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After working on many creative projects and group exhibitions, here and overseas, the past couple of years

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I really think it’s time, to get back into a gallery and start exhibiting again in 2016.

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So, I’m looking for suitable spaces in Melbourne or Sydney, that aren’t too expensive.

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My favourite thing to make, at  Free Tutorials  is my large studio easel. I created it when I built my studio in 2000. I wanted something big, so I could work on many paintings at once. It’s a bit slap happy, (I’m no carpenter) but, works perfectly for me.

Professional Arts Business. Artist’s Wear Many Hats.

Wednesday, June 24th, 2015

Artist’s Wear Many Hats. Professional Arts Business.

Wouldn’t it be nice to get up everyday and just create and not have to worry about running an arts practice. Being an artist today means you are in business. You can’t survive on sales alone and have to create opportunities for yourself for those, who want to make a living from it.

According to the Australian Tax Office,“A professional arts business is a business you carry on as an author of an artistic work. This can be the artist, sculptor or photographer who created the work.”

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Artists need to wear many hats: creator, promoter, product developer, maker, writer, photographer, record keeper, shipper, packer, marketer, customer service rep. and so much more.

There are no hard and fast rules, or right or wrong way, on how, to run an arts business. Just use your creativity, trust your own artistic impulses and have fun. A few of my tips . ( Not in any order)

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Get plenty of rest.

Eat and sleep well.

Exercise daily. Walk, even if it’s only around your own garden.

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Make an effort to create everyday, even if it’s only for 10 mins. I have bouts of creativity, every few days. They can last days, weeks, or months. When I am working to a deadline though, I just have to create and everything else needs to take second place.

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I try to have enough work ready, for 2 exhibitions, just encase I’m asked to have a show, suddenly. (It has happened to me 2 times this year)

I have finally, learned, to say NO in my life and business. I am now, very selective in choosing, exhibitions and work I do. Once upon a time, I took on everything offered to me and suffered severe burnout.

Write down ideas and visuals in a small sketch book, journal. Keep it beside you everywhere. I make, or, bulk buy, sketch books when school sales are on.

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Ask for help when you need it. Partners, family friends or professional help. Barter with your art if your unable to pay someone to help.

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I find sitting at the computer in short bouts helps, as, I have back, neck and arm problems.

Tweaking my online websites, is a full time job, in itself. I get it done, in small bits, daily.

I check my emails when I get up in the morning. Any sales, or urgent things, I try to deal with straight away, otherwise, I worry all day and night and won’t get anything, done.

I make major lists of all the biggish, events, exhibitions, grant writing, gallery submission, residency applications, I want to apply for, over next 12 months. I then, cut down the jobs, I need to do into small steps, to achieve my goals. I recently found a good site for this Evernote I use the basic free plan.

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1 or 2 days a week I photograph and document my artwork.

As soon as I make a sale, commission etc. I document it and keep a record of my customers, contact details and which artwork they bought.

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A website is a must for every artist, as most galleries want to see an online portfolio, for submissions, including, awards and arts residency, jobs and courses you apply for.

Social media sites, all help you to get your art seen. Link up your website/blog post updates, to automatically post to your other social media sites.

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A blog is like your own personal space to create in. I use mine, as an art journal, to share, ideas, work in progress and a bit about, who I am. As well, it’s a place to see and buy my artwork.

Make a video of your creative process. People are interested in what you do. Make sure to have your website details in the credits so they see more art at your website.

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Take risks. Be resilient, flexible and find innovative ways to make money to fund your art.

Diversify with your art, without diluting it, so you can make a living. Doesn’t mean you are compromising yourself, or art. It’s just another, clever way, to get your art out there, make an income and continue your creative ideas.

Example: Limited edition art prints and quality home-wares etc. Teach from your studio, or create, online art courses. It all helps you make an income, so you can continue creating the art you want to do.

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(I sold a selection of my art throw pillows and prints, which were curated, into an exhibition, at Federation Square, in Melbourne in, 2014) Helped fund, new art materials petrol and food.

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Make an arts mailing list. First, ask people, if they want to be on it. ( suppliers, customers, friends, collectors, galleries, magazines, interior designers, architects, director’s, artists and all those who have shown an interest in your art etc.)

Have packaging ready and try to reuse and recycle packaging where possible for when the sales come in.

I also, buy custom made boxes for my artworks and rigid mailers, cello bags for smaller ones. Every couple of months I do a inventory of packaging, to see what I need to replenish.

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Ship only a couple times a week so your not having to go out everyday.

Most of my art sales are overseas. To save money,  I package them myself, weigh them and go to the Auspost website, to calculate domestic and international costs.

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Most important! Take time out to do something different, or relax and do nothing.

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I need to get out of the studio occasionally, to spend time with other artists, family and friends.

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Spoil yourself, or someone else.

Have fun!

Back to “Free Tutorials”

Pink me up abstractions!

Thursday, May 14th, 2015

Pink me up abstractions!

4 new abstract paintings

 

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“Winsor & Newton” acrylic paints on gallery stretched canvas

 

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Each artwork measures Size 30 x 30 x 3.5cm.

 

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Still untitled.

 

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” No Yes” Book.

Monday, September 22nd, 2014

Today I made my first ever limited edition artist books. The past few weeks I’ve been working with Queensland artist, Jack Oudyn  creating, 2 original artist books. We sent the original books across the country many times in the post, from Victoria to QLD, so we could both add our marks.

"No Yes" Book Side 1

“No Yes” Book 1/3

 

It has been a challenge to get the maths right with the edition. They are far from perfect and I lost a few marks in the process, which, I think only adds to their charm and it’s been a lot of fun, learning from mistakes made along the way.

Each little “No Yes” book measures W4 x H5 x L40cm. made from 160gsm. goatskin parchment paper in cream.

 

In Transit. Tiny Collages. New Work

Monday, May 26th, 2014

In Transit.

Using trickery and lies, Australian Navy and Customs and Border Protection officers intercepted a boat carrying asylum seekers in December 2012. They were told they would be taken to Christmas island and transferred onto a small lifeboat and handed a document that said: “You only have enough fuel to reach land in Indonesia. You do not have enough fuel to continue your voyage to Australia … if you continue on your journey, the master and crew of your boat will face harsh penalties, which may include a jail term.

The United Nations 1951 Refugee Convention defines a refugee as someone: “owing to well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is outside the country of his nationality and is unable or, owing to such fear, is unwilling to avail himself of the protection of that country; or who, not having a nationality and being outside the country of his former habitual residence as a result of such events, is unable or, owing to such fear, is unwilling to return to it.”All refugees have been asylum seekers. People who arrive in countries that are signatory to the 1951 Convention, regardless of their method of arrival, are entitled to seek refugee protection. Refugee status determination does not discriminate between how a person arrived in a country and lodged their application.

A series of little collages “In Transit” on canvas made from vintage papers, wallpaper, found street litter F.G, Washi tape, pen and ink .

Size 10.2 x 10. 2 each

Dungeness Trekking. The Seine.

Monday, May 12th, 2014

Hand drawn mapping and aerial views of the world

 Dungeness Trekking

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fragments from the landscape using marks and signs left behind in natural and man-made environments.

 

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a day trip to Dungeness in England with my family in 2005

 

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Notations

Quick observations of found numbers and signs ephemeral and permanent, on the Seine river in Asnieres- sur- seine, France in 2007.

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Please click on images to enlarge or if you wish to purchase!

Drawing & Collage on Vintage Index Cards.

Friday, February 7th, 2014

Drawing & Collage on Vintage Index Cards.

“Indexing” a series of small abstract drawing & collage

 

Size 20 x 13cm.

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collage with vintage found papers

 

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watery black ink & pen

 

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tissue and hand drawn doodles

 

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original vintage French script

 

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with oil pastel on old index cards

 

 

Underground Urban Spaces…

Thursday, January 23rd, 2014

New worlds I build daily for underground urban living…Constructions of layered line, and grids. Objects for science, living pods, travel pods, underground exploration and excavation machinery beneath. Little abstract paintings created on artist gallery stretched canvas.

Terras Tower

Terrasporus Flying Machine

Traction Apparatus

Giro Charger

Sub Time Machine

Terrasporus

Terras Travalator

Subterranean Space

Mobile Mover.

VM Agitator

Surface Light Tube

VM Watcher

 

Snap to Grid Exhibition. LACDA.

Monday, December 23rd, 2013

My latest group exhibition at the Los Angeles Center for Digital Art

SNAP TO GRID:

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Slices in Time. Fragility. Jenny Davis.
In creating this artwork I used various processes. By physically dismantling objects and clothing I then wax the pieces. Some time later I reassemble the items and stage them into a still life composition in the studio.

December 12, 2013-January 4, 2014

Opening Reception December January 12, 7-9pm
in conjunction with the Downtown Art Walk

Los angeles center for digital art

104 East Fourth Street

Los Angeles, CA 90013

2013 Snap to Grid installation shots

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