Posts Tagged ‘outlook8studio’

Fresh from the Studio – Sensor Ship

Friday, October 18th, 2013

Fresh from the Studio

Sensor Ship 2 & Sensor Ship

Surface quality is very important to me and my paintings consist of many layers of paint and line making. During my process I continuously scrape, wipe and sand back layers until only a trace remains of my previous mark making.

 

Sensor Ship 2
Jenny Davis
Acrylic on Canvas
120 x 60cm

 

In both paintings you can see little tears and pockets of bright grainy colour pushing through to the top layers. I wanted the ghosts of my past marks and texture to sit just below the surface, still and silent. Waiting to be discovered.

 

"Sensor Ship" by Jenny Davis. Acrylic painting on canvas. 120 x 90cm.

 

Sensor Ship
Jenny Davis
Acrylic on Canvas
120 x 60cm.

 

 

 

 

 

 

 

 

 

 

 

Happy Holidays & Stop Procrastinating…

Wednesday, December 19th, 2012

Happy Holidays & Stop Procrastinating…

As 2012 ends, I would like to thank my followers at Outlook8studio blog, for all your support and comments over the past year.

“Happy Holidays” to all of you and hope you will continue to come back now and then, to see what’s new.

Xmas in Paris

Procrastination…My thoughts now race ahead to the new year and plans for my arts business…What plans? I have been procrastinating far too long in this area and have promised myself in 2013 I will organise my time better…

 

Xmas in Paris

 

 

 

 

 

 

So, I checked out some of my favourite blogs and found this article from, Carolyn Edlund at Artsyshark that may help all you procrastinators out there…

12 Ways Artists Can Stop Procrastinating | Artsy Shark.

Amour de Paris

Saturday, May 5th, 2012

I miss Paris today. I miss the homeliness of Paris …I woke up feeling a longing for the white snow on the rooftops outside my little studio window in the cubicle.

 

 

 

 

 

 

 

I miss my dark dungeon, with its odour of oldness and mold and even miss the creepy feeling that lashes me when I go there to work on my never- ending arts project.

 

I miss the fresh no- nonsense food, the culture, the artists and especially, the realness of Paris.

I miss not knowing the language and guessing what people are saying.

I miss seeing something new and the ordinary down the streets of Asnieres with my daughter.

I miss the walk to the park with its topiary trees, gardens and boulie men.

I miss the newness of the place plus the old familiar places I like to go to.

I miss not being able to play and sit in the gardens around the corner where Vincent sat and created.

 

I miss the little art/design ateliers down in Bastille with their windows full of  high design handmade, one- off  pieces of jewellery, glassware, sculpture, furniture and funky home-wares.

I miss knowing that every time I stroll through the Louvre I still, haven’t seen it all and will need to come back.

 

 

I miss not being able to visit Camille , Manet Doré, Degas, Cézanne, Rodin, Monet , Picasso, Renoir, Rousseau ,Gauguin, Lautrec,Valadon, Bernard,Matisse, Rouault,Brâncuş’, DufyPicabia, Braque, Metzinger , Delaunay, Arp , Chagall, Duchamp, Ernst ,Soutin,e and Masson for the day.

I especially miss the closeness to Modernism, Impressionism, Post-Impressionism, Fauvism, Symbolism , Art Nouveau, Primitivism (art) Modernism, Cubism, Puteaux Group, and my favourite ,Dada, and Surrealism The art squats, street art and local artists with avant guard ideas. I miss my most loved Pompedou gallery.

I miss the trips to Dave’s parents. I even miss,the rattly old one person lift we squeeze into,going up to the apartment. I miss their welcome and sitting at the table eating delectable foods with the now, familiar Eiffel, out the window .

 

I miss Champs. Montmartre, cemeteries , beautiful old buildings and new places I haven’t seen before.

 

 

I also miss the things I haven’t done, or seen yet, in Paris.

I miss the smells ,textures and sounds when living,in Paris. Even, the nightmare trains I don’t mind anymore.

I miss the nostalgia of Paris. There are triggers in Paris, that send me back to my childhood in Australia. It’s usually only something small that will set this feeling off, like the simplicity of design in the everyday domestic object, or the rawness and feel of a well made cotton dishcloth or tea-towel.The aroma and taste of fresh foods straight from the farms and markets.

I especially get this nostalgia when Dave and Amy come home from the patisserie across the road with the morning baguette or my favorite Frasier cake. All this will send me back to my childhood  in Australia when everything was more authentic, honest and more, homely than it is today.

Paris is just like a comfortable old jumper to me now. I do miss Paris today and my wonderful daughter…

My French- inspired handmade shop Atelierinparis

 

Land to Light – 4 Victorian Artists

Monday, March 26th, 2012

 

 

Your invited to the opening of “LAND TO LIGHT” exhibition at 5pm on Tuesday 17th April at Switchback Gallery – Curated by Charles Farrugia and Rodney Forbes

Artists
Jenny Davis
Charles Farrugia
John Martin
Mark Story

Exhibition dates: 17th April to 24th May, 2012 – Mon-Fri 9.00 to 5.00 or by appt.
Address: Gippsland Centre for Art and Design
Building 6S Monash University Gippsland Campus
Churchill 3842

Contact:  gippsland@artdes.monash.edu.au

Website: http://www.artdes.monash.edu.au/gippsland/switchback/

Phone (03) 9902 6261

How to get there: http://www.gippsland.monash.edu.au/campus/getthereandpark.html

“Silent Momento – Paris Venice & Spain”

Thursday, March 8th, 2012

A new series of paintings from the studio…

“Silent Momento – Paris Venice & Spain”  Links to found surfaces from the streets of Paris, Venice and Spain. Weathered, worn surfaces, old peeling papers with glimpses of the past, slashed with scrapings of whitewash.

Passages in time, forgotten marks and scribble usually left, unseen & silent.

Make a Large Studio Easel in 6 Easy – Peasy Steps

Saturday, February 4th, 2012

IMG_20150520_115511

 

How to Make a Large Studio Easel in 6 Easy- Peasy Steps

When I built my studio years ago, I needed to have a versatile easel. I couldn’t find anything suitable in the shops and my budget wouldn’t allow for much.  So, I went about creating one from my left over pieces of timber. I needed one that would take small to very large canvas’s all at once. I needed lots of space too. Being an abstract painter, I slosh paint and work very quickly, sometimes on many canvas’s at once. I wanted a permanent spac,e where I could work on small canvas’s 30x30cm up to very large ones 4 x 2 Meters . My easel ended up being 9 meters long x 4 meters high and after 12 years of daily use, my rough and ready easel is still going strong.

My simple Plan

Materials & Equipment

Cut yourself, or buy 2 equal lengths of  hardwood or pine, however long you want the easel to be. This is for the floor and wall runner that will hold all the upright struts.

Cut yourself, or buy equal lengths of hardwood or pine for the uprights. Decide how many uprights you want to hold your canvas .To get the length of each piece , measure from floor to top wall at the angle you want the easel to be.

Bolts, nails or screws

Wooden dowel lengths of wood for pegs

Drill with a “spade” drill bit the same circumference as the dowel pieces you have

(Spade bits are used for rough boring holes in wood.)

Tape measure

Hammer

Drill

Method

1.Everything will need to be measured and cut for the area your are working on.

2. Grab the floor runner piece, lay it perpendicular to the wall on the floor, judging the best space between the floor runner and the wall . Screw, bolt or nail to the floor at intervals to secure. (Note) Remember to allow enough space from floor runner to wall for a slight angle for the upright pieces of wood so your painting canvas can to sit without falling

3. Grab the wall runner piece and screw, bolt or nail to the upper wall at intervals and make secure.

4. Lay all your upright pieces of wood together on a flat surface together (floor )and take your drill with the spade bit and make holes from bottom to the top on all the lengths of wood. The spacing has to be equal across the whole lot.

(If painting the easel do this now before attaching to wall)

5. Take your pre- cut lengths of wood with the holes and sit each one so the bottom is sitting behind the attached floor runner and at the top against the wall runner with the holes facing you. Screw bolt or nail the upright struts to the floor runner and to the wall runner at top. (Note) Go along the floor runner at whatever spacing you want with the upright struts to be.

Almost done. Cut lengths ( 6inches) of dowel for the pegs that will hold all your canvas’s

Note: If the pegs don’t fit in the holes… Round off one end with sandpaper by hand, or with an electric sander.

All done!!!  Now grab your canvas and paint to your hearts content