Posts Tagged ‘Painting’

Drawing & Collage on Vintage Index Cards.

Friday, February 7th, 2014

Drawing & Collage on Vintage Index Cards.

“Indexing” a series of small abstract drawing & collage

 

Size 20 x 13cm.

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collage with vintage found papers

 

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watery black ink & pen

 

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tissue and hand drawn doodles

 

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original vintage French script

 

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with oil pastel on old index cards

 

 

Underground Urban Spaces…

Thursday, January 23rd, 2014

New worlds I build daily for underground urban living…Constructions of layered line, and grids. Objects for science, living pods, travel pods, underground exploration and excavation machinery beneath. Little abstract paintings created on artist gallery stretched canvas.

Terras Tower

Terrasporus Flying Machine

Traction Apparatus

Giro Charger

Sub Time Machine

Terrasporus

Terras Travalator

Subterranean Space

Mobile Mover.

VM Agitator

Surface Light Tube

VM Watcher

 

Homemade Gesso!

Thursday, January 16th, 2014

Update 2018! Since writing this recipe in 2014, Ive been using this homemade Gesso recipe, for 14 years now and haven’t had an issue, with ageing, layers coming apart, seepage, changes in colour etc. on any of my artworks. I use it with both oil and acrylic paints. I also seal my papers with it when, making books, sewing on paper, paper for collage, painting with paint, inks etc. As to the quality, I find the homemade isn’t as white, but just as good quality, as professional artists Gesso. I also use store bought gesso too, if I’ve run out and for convenience. My version is more gritty, than store bought, but if you sandpaper in between coats, I find it’s not an issue. For me, this recipe is just as good as, the store bought and if you use archival PVA/Elmers glue, it will make it all the more stable, for longevity.

Homemade Gesso!

I love Gesso paint and use heaps of it in my work. It’s gritty, chalky and can be applied to artwork to give a translucent or opaque look. It’s also very expensive so I decided to make my own.

 

Gesso is used for many things such as a primer for canvas or on paper to give a good base for painting, drawing or mixed media work.  When making collage I use it as a gluing medium to stick on papers, in-between, painting and drawing layers.

The recipe below makes 2 litres of Gesso paint

( If not using straight away, this Gesso will last approx. 4-6 weeks)

Homemade Gesso

PLASTER MIX

1 cup Plaster of Paris or fine white plaster powder

1 cup of PVA or white glue (archival if available)

1 cup hot water

PAINT

3 cups white acrylic paint

UTENSILS

Container, cup and mixing stick or spoon

RATIO: 1-3

Plaster Mix 1 – Acrylic paint 3

Method

To make the plaster mix. Add the plaster to the hot water and stir ( Safety purposes: always add the plaster powder to the liquid, not liquid to plaster, as it will blow up into your face and always wear a dust mask)

Dust Mask

“Plaster of Paris” and cup

Hot water and mix

Next add the PVA or white glue, stir.

Finally add the white acrylic paint and mix. ( I used some acrylic powder paint I had and made it up with water) You can use any kind of acrylic paint or colour .

 

Result

I was very happy with the result. The gesso is translucent with the gritty bits I like. You can also do several layers of gesso to give a more opaque appearance. It covered my canvas very well with only 1 coat. When adding more than 1 coat you can sand in- between to give a really smooth surface for detailed work .

2 litres of Gesso

Gesso on stretched canvas

Gesso on paper

 

Update 2018! Ive been using this recipe for 14 years now and have had no issues with ageing , seepage. I use it with oil paintings and acrylic artworks. I also seal my papers with it when making books, sewing paper for collage, painting with paint, inks etc.

 

Playtime. 30 Days of Collage.

Saturday, November 2nd, 2013

On Monday I start a new art course, “30 Days of Collage” by Stephanie Levy

Image copyright Stephanie Levy 2013

Image copyright Stephanie Levy 2013

I love creating collage and think this course will help me to free up to experiment and play instead of being so serious and restricted when creating collage. I want to feel free to play with the process without worrying about the end result. Just like when creating my abstract paintings

I love Stephanie’s Art and thought her course would be perfect for this.

Images copyright Stephanie Levy

Image copyright Stephanie Levy 2013

I’m really looking forward to the interviews with 10 top collage artists from around the world who will share their tips and give us peeks at their art and arts practice.

We will be creating our own collage materials and learn how to decorate and paint our own unique papers. As well, I get to recycle and use up, my huge collection of vintage papers, fabrics, wallpapers and junk to make beautiful artworks and make room in my studio for new art projects.

 

 

Fresh from the Studio – Sensor Ship

Friday, October 18th, 2013

Fresh from the Studio

Sensor Ship 2 & Sensor Ship

Surface quality is very important to me and my paintings consist of many layers of paint and line making. During my process I continuously scrape, wipe and sand back layers until only a trace remains of my previous mark making.

 

Sensor Ship 2
Jenny Davis
Acrylic on Canvas
120 x 60cm

 

In both paintings you can see little tears and pockets of bright grainy colour pushing through to the top layers. I wanted the ghosts of my past marks and texture to sit just below the surface, still and silent. Waiting to be discovered.

 

"Sensor Ship" by Jenny Davis. Acrylic painting on canvas. 120 x 90cm.

 

Sensor Ship
Jenny Davis
Acrylic on Canvas
120 x 60cm.

 

 

 

 

 

 

 

 

 

 

 

Art I saw in Paris

Sunday, April 14th, 2013

 

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IMGP8723IMGP8773Louvre Paris

 

 

 

IMGP9784IMGP87401sacrifice

 

 

 

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Textural Surface Paintings. Barcelona Spain.

Monday, October 29th, 2012

Textural Surface Paintings I did in Spain.
In 2005 I was artist in residence at the Can Serrat International Art Center in Barcelona, Spain. During this time I completed several series of works; which developed as a result of solitary expeditions into the surrounding areas.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Textural oil paintings on linen, linked to ancient Catalan architecture.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

My little paintings are rubbings from actual surfaces around the Barcelona, Spain.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ancient markings weathered , subtle & chalky

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I added colour to my work with pure powder pigments and oils, hand mixed in my studio.

 

 

 

 

 

 

 

 

 

 

 

 

See more of my artwork at Outlook8studio on Etsy

 

Do you always have to finish your art?

Saturday, October 6th, 2012

Do you always have to finish your art?

 

 

 

 

 

 

 

 

I always have lots of unfinished projects on the go. Paintings, sculpture and installations can sit around for years, unfinished. I live with them, then maybe, months, even years later, it will hit me that it needs this and that, and it’s finished. I also have 100’s of art projects and ideas in folders on my computer that may not even see the light of day in my life time.

 

 

 

 

 

 

 

 

 

 

 

 

 

Other things, I deliberately leave unfinished. I like untouched randomness & rawness when creating. Especially in my painting, textile & mixed media work.
I like the freedom of no pressure to finish a piece.

 

 

 

 

 

 

 

 

 

 

 

Do you always have to finish your art ?

 

“Silent Momento – Paris Venice & Spain”

Thursday, March 8th, 2012

A new series of paintings from the studio…

“Silent Momento – Paris Venice & Spain”  Links to found surfaces from the streets of Paris, Venice and Spain. Weathered, worn surfaces, old peeling papers with glimpses of the past, slashed with scrapings of whitewash.

Passages in time, forgotten marks and scribble usually left, unseen & silent.

Make a Large Studio Easel in 6 Easy – Peasy Steps

Saturday, February 4th, 2012

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How to Make a Large Studio Easel in 6 Easy- Peasy Steps

When I built my studio years ago, I needed to have a versatile easel. I couldn’t find anything suitable in the shops and my budget wouldn’t allow for much.  So, I went about creating one from my left over pieces of timber. I needed one that would take small to very large canvas’s all at once. I needed lots of space too. Being an abstract painter, I slosh paint and work very quickly, sometimes on many canvas’s at once. I wanted a permanent spac,e where I could work on small canvas’s 30x30cm up to very large ones 4 x 2 Meters . My easel ended up being 9 meters long x 4 meters high and after 12 years of daily use, my rough and ready easel is still going strong.

My simple Plan

Materials & Equipment

Cut yourself, or buy 2 equal lengths of  hardwood or pine, however long you want the easel to be. This is for the floor and wall runner that will hold all the upright struts.

Cut yourself, or buy equal lengths of hardwood or pine for the uprights. Decide how many uprights you want to hold your canvas .To get the length of each piece , measure from floor to top wall at the angle you want the easel to be.

Bolts, nails or screws

Wooden dowel lengths of wood for pegs

Drill with a “spade” drill bit the same circumference as the dowel pieces you have

(Spade bits are used for rough boring holes in wood.)

Tape measure

Hammer

Drill

Method

1.Everything will need to be measured and cut for the area your are working on.

2. Grab the floor runner piece, lay it perpendicular to the wall on the floor, judging the best space between the floor runner and the wall . Screw, bolt or nail to the floor at intervals to secure. (Note) Remember to allow enough space from floor runner to wall for a slight angle for the upright pieces of wood so your painting canvas can to sit without falling

3. Grab the wall runner piece and screw, bolt or nail to the upper wall at intervals and make secure.

4. Lay all your upright pieces of wood together on a flat surface together (floor )and take your drill with the spade bit and make holes from bottom to the top on all the lengths of wood. The spacing has to be equal across the whole lot.

(If painting the easel do this now before attaching to wall)

5. Take your pre- cut lengths of wood with the holes and sit each one so the bottom is sitting behind the attached floor runner and at the top against the wall runner with the holes facing you. Screw bolt or nail the upright struts to the floor runner and to the wall runner at top. (Note) Go along the floor runner at whatever spacing you want with the upright struts to be.

Almost done. Cut lengths ( 6inches) of dowel for the pegs that will hold all your canvas’s

Note: If the pegs don’t fit in the holes… Round off one end with sandpaper by hand, or with an electric sander.

All done!!!  Now grab your canvas and paint to your hearts content

What is a Glaze?

Monday, October 31st, 2011


Layers layers layers. Did you know? many of my paintings, especially oil paintings, have layer upon layer of pigment and glazes. Each painting can take many hours,weeks even months to complete.

What is a Glaze?
A glaze combines two or more transparent layers of paint, which have been applied over an opaque underpainting. Each transparent layer builds on the ones under them, creating new colors and added richness depth and interest to a piece.

Rembrandt would paint in layers, building from the back of the painting to the front, by using coats of glazes. He would use at least 15 layers of transparent glazes in many of his paintings. That is why they seem to glow and emerge from the darkness of the background.

A few good sites to find out how to create glazes in your paintings
http://painting.about.com/od/oilpainting/a/glazing_FAQ.htm
http://painting.about.com/od/oilpainting/a/Glazing_Tips.htm
http://painting.about.com/od/oilpainting/a/GeraldD_glazing.htm

Back to “Free Tutorials”

How to Rust Dye Fabric.

Tuesday, October 4th, 2011

Lately I’ve been experimenting with natural dyeing processes for fabrics and papers. I’m trying out rust dyeing at the moment. I want to build up a collection of natural and rust dyed fabrics and papers so when my next creative spurt comes around, I’ll have plenty to work with.

Over the years I have collected heaps of metal for welding my sculptures so have plenty bits hiding on my property just rusting away. The gathering of the metal objects, wrapping them with the fabric spraying with vinegar and binding with rope and wire is quite relaxing. I call it mummy wrapping.

It only takes a couple of hours for marks to appear but I like to keep mine for up to a week or two so I can get deeper impressions and colours. I discovered if I wrap fabric around old pieces of copper pipe the amazing green and red patinas are transferred to the fabric as well.

I’m happy with the end result and see connections to the abstract marks I create in my paintings. There are paintings in themselves

Go to my tutorial on Rust Dyeing here

The artists are taking over…

Friday, July 15th, 2011

The Artists are taking over…If you are heading to the Yarra Valley in Victoria, Australia to check out  The Archibald Prize at  Tarra Warra Museum of Art , don’t forget to pop into the thriving township of  Healesville.

Healesville is full of many quaint little cafes, restaurants, bakeries’ hotels, specialist delis, selling local gourmet foods and wines, second-hand /antique shops and eateries.

Recently the artists have taken over the town with the opening of many new spaces and galleries showcasing local artists and artisan’s wares.

One such space is “Artists Lounge” This shop is a real treat. A new corner gallery that has a Contemporary/Industrial feel to it. My favourite thing at “Artist’s Lounge” is the long black chalk wall running right along one side of the building, where you can make your mark amongst the contemporary artworks on display.

Friendly, Ali and Billy who run the space, have jam packed it with unique Contemporary art from the local Yarra Valley artists. You can browse the paintings and sculpture, but there is also an eclectic array of affordable, artsy items created by the artists.

I saw some lovely pieces of wearable art with handmade books, badges, cards, recycled arts, pottery, textile pieces, silk scarves, felting, and jewellery.

For the creative, they also sell high quality artist supplies and gorgeous papers to die for. If they don’t have what you are looking for they will order it for you.

So, grab yourself a cup of Billy’s delicious coffee and soak up the atmosphere and gorgeous things at “Artist’s Lounge” in Healesville

“Artist’s Lounge”
222 Maroondah Highway, Healesville.
Open Wednesday to-Sunday 10.30am -4.30pm
Phone 59625150
Email artistslounge.com.au
Show Map

2nd Place Winner

Friday, July 1st, 2011

Thank you very much to John R. Math at  Light Space & Time Gallery for choosing my painting, VM IMP. Berlin as 2nd. prize in the Abstracts Art Exhibition .My work was chosen from 550 other artists from all over the world.

All winners will now be featured on the Light Space & Time website for the month of July 2011. Thereafter, the artworks and links to the artist’s websites will remain online in the Light Space & Time Archives. Congratulations to our artists who made our Abstracts Art Exhibition so successful this month. At any time, we invite our winners and other interested visitors to link their websites to the Gallery’s archive page for further ongoing promotion.

2nd Place Winner – Jenny Davis – “VM6 IMP. Berlin”

Jenny Davis is an Australian artist, working from studio’s in Victoria Australia and Paris France, where she sometimes lives. As an artist, she enjoys working in many disciplines including: painting, sculpture, photography, installation, video, collage, recycled design, sound and virtual worlds. Jenny has shown her work in many countries, including Australia, Germany, Spain, France and USA. Her work is in private and public collections across Australia, UK, Europe and the U.S.A. Outlook8studio

 

Hidden Spaces Exposed.

Tuesday, February 15th, 2011

Thank you very much Kimberley Seedy and Lawrence Pinder, for the great article and photographs you created for the Leader newspaper about my latest exhibition at Burrinja 351 Glenfern Rd, Upwey Victoria

11 Feb 11 @ 06:01am by Kimberley Seedy

Jenny Davis shows some of the paintings and photographs at her Burrinja Cafe exhibition.s LAWRENCE PINDER N33FP405

A COLLECTION of paintings and photographs featuring some overseas locations are on display in a new exhibition in Upwey. Abstraction and Beyond, featuring the work of artist Jenny Davis, is on at the Burrinja Cafe until March 1.

It consists of seven framed abstract oil paintings on paper, created in Barcelona in 2005, together with mounted night photographs shot in underground locations in Paris in 2010.

Davis describes her photographs as a “non-cliched” look at Paris.

Instead of focusing on the famous monuments, she zoomed in on what was beneath the surface, photographing hidden places, including a storage area under an apartment.

Davis said she loved the spaces underground.

“There’s a life underneath the earth, and people don’t know about it, but it’s very busy and living,” she said.

“I have taken photos of the Eiffel Tower but I go under it, and look at closer fragments.”

Burrinja Cafe is at 351 Glenfern Rd, Upwey.

Abstraction & Beyond (update)

Saturday, February 5th, 2011

Exhibition update:

“Abstraction & Beyond”

Feb.2-1 March

Burrinja Cultural Center

351 Glenfern Road (cnr Matson Drv),

Upwey, VIC, 3158 .

Open Daily 9am-5pm.

If you are heading over to the Dandenongs over the next month, checkout my exhibition “Abstraction & Beyond’ at the Burrinja Cultural Center in Upwey, Victoria.

I just finished hanging the exhibition on Tuesday with the help of Amy Jo Jory, who runs the gallery at Burrinja. A cross-cultural mix of oil paintings I created at an arts residency in Barcelona, Spain, together with mounted night photographs I shot in Paris last winter.

I’m very pleased with the way it looks. My Spain paintings really connect to the space. At Burrinja they have taken on a very Australian feel yet, they are also Spanish. I can see both cultures in the paintings.

I’m relieved it’s finally up and running and all the hard work has been done. Now I like to sit back, let go of the work and relax. Although I love having exhibitions, once they are over, I am always glad to move on and begin new ideas and projects.

Burrinja Café & Bar
Open every day

Bookings: 9754 5707

Burrinja Café provides great food and coffee in a fantastic intimate atmosphere that continues the indigenous theme of Burrinja Gallery. It is an 80 seat fully licensed café that will seduce you the moment you walk in. Escape the hustle into warm ochres, great art and comfy lounges. Enjoy lunch, group get-togethers, music events, or just relax. Burrinja cafe is the ideal place to eat while visiting Burrinja to enjoy the great art or day-tripping in the Dandenong Ranges.

Functions
Burrinja  & Café Bar caters for all types of functions.
Call for details on our wide range of tailored menu options
Music – see Events for the line up of music, spoken word and more at Burrinja Café
Fabulous cakes, coffees, chai and more – all fresh!·
Menu selections are always being updated, and we can cater to your individual needs

More Café Gig & Events Info at the Burrinja Cafe website

Wine Labels as Art

Saturday, November 27th, 2010

Thank you  Tyrrell’s wineMirvac and  Sebel Heritage

 

 

“Outlook View”
Thinking of my home when I was in Europe.
This is the digital art print created from a
section of one of my original oil paintings for a wine label

 

 

 

Last night I attended a cocktail evening at the Sebel Heritage in the Yarra Valley. The whole idea of the evening was to introduce exhibiting artists to the new manager to chat about the current Yarra Valley Arts exhibition displayed at the resort.What a nice surprise I had when they announced my painting “Outlook View” was the winning entry for the Tyrrell’s Wine label competition. I was so excited, especially as I’d forgotten I entered the competition.

 

 

As an artist I love the idea that my art will travel, “Nomad Art” on a wine bottle.

Why should art be only framed on a gallery wall?

Although I didn’t get paid in money for my design I couldn’t think of a better marketing tool for getting my art seen and tasted:). The exposure for my art will be extensive, especially as Tyrrell’s wine is sold widely in Australia and exported all over the world. I was also presented with the new wine label beautifully framed, a gift card from Mirvac hotels & resorts and the most beautiful bunch of flowers. In the future I may even receive a case of the wine with my artwork.

Winning the competition also got me thinking a lot about the art on a wine label…

I know, when I buy a bottle of wine, I choose it primarily for its label. If the label is dull and boring visually, I won’t buy it. I also think the design of a wine label could make or break a new wine introduced to the market.

Do you choose a wine by the label?

A list of artists who have created a Château Mouton Rothschild label. Many of the artists received no payment for the work, but were given cases of wine, including of the vintage which they have illustrated.
• 1924: Jean Carlu
• 1945: Philippe Jullian
• 1946: Jean Hugo
• 1947: Jean Cocteau
• 1948: Marie Laurencin
• 1949: André Dignimont
• 1950: Arnulf
• 1951: Marcel Vertès
• 1952: Léonor Fini
• 1953: Centenary year commemoration
• 1954: Jean Carzou
• 1955: Georges Braque
• 1956: Pavel Techelitchew
• 1957: André Masson
• 1958: Salvador Dalí
• 1959: Richard Lippold
• 1960: Jacques Villon
• 1961: Georges Mathieu
• 1962: Matta
• 1963: Bernard Dufour
• 1964: Henry Moore
• 1965: Dorothea Tanning
• 1966: Pierre Alechinsky
• 1967: César
• 1968: Bona
• 1969: Joan Miró
• 1970: Marc Chagall
• 1971: Wassily Kandinsky
• 1972: Serge Poliakoff
• 1973: Pablo Picasso (posthumous recognition – in memoriam, as he had died in Mougins in April of that year)
• 1974: Robert Motherwell
• 1975: Andy Warhol
• 1976: Pierre Soulages
• 1977: Tribute to Queen Elizabeth The Queen Mother, who stayed at the chateau in April 1977
• 1978: Jean-Paul Riopelle (2 labels)
• 1979: Hisao Domoto
• 1980: Hans Hartung
• 1981: Arman
• 1982: John Huston
• 1983: Saul Steinberg
• 1984: Agam
• 1985: Paul Delvaux
• 1986: Bernard Séjourné
• 1987: Hans Erni
• 1988: Keith Haring
• 1989: Georg Baselitz
• 1990: Francis Bacon
• 1991: Setsuko
• 1992: Per Kirkeby
• 1993: Balthus (2 labels)
• 1994: Karel Appel
• 1995: Antoni Tàpies
• 1996: Gu Gan
• 1997: Niki de Saint Phalle
• 1998: Rufino Tamayo
• 1999: Raymond Savignac
• 2000: Special gold enamel relief of the “Augsburg Ram” in the Mouton museum
• 2001: Robert Wilson
• 2002: Ilya Kabakov
• 2003: 150th Birthday Tribute
• 2004: Charles, Prince of Wales
• 2005: Giuseppe Penone
• 2006: Lucian Freud

Spirit of the Valley

Tuesday, August 10th, 2010

SPIRIT OF THE VALLEY


An abstract feeling ….In this painting I wanted to capture the “Spirit of the Valley” in an abstract way. The colours connect to the mood of Yarra Valley’s lively communities, rich in it’s, various cultures. The arts, food and wine intermingled with the tranquillity and soul of the surrounding landscape

To see all my work please go to my  ‘Gallery”

Funny how things seem to workout. Recently I had a fall and broke my arm.

I have been wanting for ages to update my” Gallery” but, always find it too hard to drag myself away from the studio. Since breaking my arm though, I’ve had too slow down and take it easy. Over the past few weeks I have managed to use the computer with my left hand to upload more paintings, drawings  and sculpture for you to browse.

I offer all my art at studio prices, eliminating huge gallery and agent fees.

Saving you $100’s…

Please see Buyer Info

If you have any questions or would like to see a high resolution photo of a piece, please contact me at Outlook8studio and I will do my best to help you.

Hope you enjoy !

“Stimulate your senses.Suggestive and powerful abstract art with a spark, to generate new ways of thinking, to move and inspire us. Jenny Davis award winning, Australian Contemporary artist , paint’s what she feels. Bold and stunningly colorful abstract paintings, that reveals the power and brightness of color, through the different effects of form and texture which spring from the canvas.”

Paula Trevisan, International Art,Ferrara , Italy in 2010

“Studioinabox Paris

Friday, January 29th, 2010

Fresh from my temporary studio in Paris…..  It has been an interesting challenge creating  from my “Studioinabox” in Paris set up for me by my daughter Amy .Ive had to work differently from my usual  larger pieces. Pieces have become more intricate and detailed.I even created some more hand made books and collages using whatever I could find .I am enjoying re-cycling everything I can get my hands on….I just sent back to Australia 5, 7kg. boxes of junk ,collected from the streets and stuff that lovely people have  given to me to re-use in  my art.

ART FOR LIFE: bushfire appeal

Friday, March 20th, 2009

ART FOR LIFE: Art Auction Bushfire Appeal

What is Art For Life all about

The Art for Life Bushfire Appeal has been established to raise money for the rebuilding of communities tragically affected by the recent bushfires in Victoria.

It is a grassroots “community for community” effort to raise funds but we also want it to be a celebration of our communities creative spirit and provide exposure and recognition for Australian artists and their works.

100% of funds raised from the sale of works will go to the cause. As well as that, within our best efforts, every aspect of the event will be donated to maximize the amount that can go to the cause. All involved in making this idea a reality are volunteering their time, this includes the entertainers and function volunteer staff who we gratefully acknowledge.

Art For Life bushfire appeal is an auction of donated art works to be held in the Melbourne Town Hall Supper Room on 27 March from 6.30pm.

We look forward to seeing you there.

The event is sponsored by Melbourne City Council under the auspices by The Lord Mayors Charitable Foundation

Some of the contributing artists include Lisa Roet, Heather Shimmen, Angela Brennan, Debra Rhee, Jamie Daddo, Jenny Davis, Thomas DeKessler, Elisabeth Sands and Mary Newsome.