Posts Tagged ‘Uncategorised’

Experimenting. Getting Focused in the Studio

Sunday, September 2nd, 2012

As an artist, you really need to work everyday if you are really serious about making a career in the arts. Its a full-time job, but for the past few months, I have suffered from some sort of a block and haven’t been very productive as I should. I’m not sure anymore, where I’m heading with my art. I paint, draw make sculpture, installations, take photos, work on the business side daily and just about everything else.

I think maybe it’s time to get back to experimentation in the studio and focus on a new body of work instead of the one- off pieces I have been creating.

The article Artists – Make Effective Use of Your Studio Time from Artsbusiness makes a lot of sense to me at the moment and outlines how to make good use of your time and getting focused.

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Showing Your Art on the iPad.

Thursday, August 16th, 2012

Lately I have been wanting to update my artist portfolio. I’m just not sure about which way to go with it. Should I print out large images and put in a folder?, as I have in the past, or, Would a computer presentation be better ? then I came across this interesting article from Maria Brophy’s blog  and thought I’d share it with my readers

“Printed Portfolios are a thing of the past. How to Show Your Art on the iPad”

Art around the Fireplace

Saturday, August 11th, 2012

Some thoughts on painting…I continually fight with my work. Am I rebelling about what a painting should be? I lay paint on a surface, spending days doing this, only to scrape and wipe it off. What my mind says to do, my hand does another. The battle is on… the less it becomes, the more it says. Reducing it to a “nothingness” taking away what is known, what is recognisable, what is seen and putting in it’s place a “nothingness” of truth, more true, than what is seen.

 

 

 

 

 

 

 

 

 

 

 

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UX, for “Urban Experiment.”

Saturday, July 21st, 2012

I just love this story …inspires me to keep working on my art projects which link back to my own treks of working in underground spaces below Paris over the past 5 years.

Thirty years ago, in the dead of night, a group of six Parisian teenagers pulled off what would prove to be a fateful theft. They met up at a small café near the Eiffel Tower to review their plans—again—before heading out into the dark. Read full story by Jon Lackman …

 

 

 

 

 

Do you make a living from your Art ?

Wednesday, July 11th, 2012

With the extremely high price of showing your work in a gallery these days , I was thinking again of setting up a gallery in my home. I have seen artists do this in Paris with much success. Of course, Paris is a huge city and my house is in a small country town with very low traffic passing.

Many years ago I rang my local council suggesting I was thinking of using my home as a gallery to show my work. They didn’t have a problem with it. They only wanted to know if there was an area for public parking and said I would need public liability insurance etc. At the time there was no parking so I didn’t try it. Maybe that’s the way to go…

Sometimes it seems to be a no win situation for artists these days. Gallery commissions are going up and up (50- 60% in some galleries, plus other costs) while the galleries are doing less and less for their commission.

There are just too many artists, all trying to get gallery representation, and now many artists pay a gallery, unrealistic fees for hire of the space just to get their art up on a wall. The artist then has to pay for transport costs, design and print promotional invites, posters and flyers,opening night costs, food and wine. They are also responsible for their own advertising, media costs and have to supply, their own arts mailing lists etc.

The galleries have artists over a barrel, and the result is that most artists have extremely low incomes, even with good sales, once all the costs and commissions have been deducted.

Exposing your art on the web promotes and gets your work seen worldwide but you are also competing with millions of other artists as well. Resulting in maybe, a few sales and there are exceptions, but in reality, not many has resulted in big on-line sales.

On the up side there are many great opportunities online,  work on collaborative art projects with other artists worldwide, enter competitions, art awards, arts residencies and many online exhibitions and other websites and blogs with heaps of resources for the artist.

Do you make a living from your art ? What do you do to get your art seen?

Some really useful, positive articles for Artists 

Light Space & Time Art Blog

Making Art and Making a Living

You’ll never Make a Living as an Artist

How to Make a Living as an Artist in Australia

I wanna be a Famous Artist and Make lots of Money

Make a living from Making Art

How to Make a Living as an Artist

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John Baldessari – by Tom Waits.

Monday, May 21st, 2012

 

The epic life of a world-class artist, jammed into six minutes. Narrated by Tom Waits.

A video from two of my favorite artists John Baldessari & Tom Waits . Awhile ago I took part in a John Baldessari  project at the Sydney festival and still love my very first Tom Waits vinyl record Blue Valentine  from 1978. Enjoy!

 

 

Upcycling and Mr. Mutt

Saturday, May 19th, 2012

I really enjoy finding a new purpose for something that would otherwise have gone into the trash and saving it from landfill. In my art I try to reuse, recycle and upcycle materials where I can. Although upcycling seems to be the current trend in art, fashion and design today, it has been around since the 1900’s and is not a new concept.

In 1917 Marcel Duchamp turned a urinal upside down, scrawled the letters “R. Mutt” on one side, and titled it “Fountain”  (more…)

Amour de Paris

Saturday, May 5th, 2012

I miss Paris today. I miss the homeliness of Paris …I woke up feeling a longing for the white snow on the rooftops outside my little studio window in the cubicle.

 

 

 

 

 

 

 

I miss my dark dungeon, with its odour of oldness and mold and even miss the creepy feeling that lashes me when I go there to work on my never- ending arts project.

 

I miss the fresh no- nonsense food, the culture, the artists and especially, the realness of Paris.

I miss not knowing the language and guessing what people are saying.

I miss seeing something new and the ordinary down the streets of Asnieres with my daughter.

I miss the walk to the park with its topiary trees, gardens and boulie men.

I miss the newness of the place plus the old familiar places I like to go to.

I miss not being able to play and sit in the gardens around the corner where Vincent sat and created.

 

I miss the little art/design ateliers down in Bastille with their windows full of  high design handmade, one- off  pieces of jewellery, glassware, sculpture, furniture and funky home-wares.

I miss knowing that every time I stroll through the Louvre I still, haven’t seen it all and will need to come back.

 

 

I miss not being able to visit Camille , Manet Doré, Degas, Cézanne, Rodin, Monet , Picasso, Renoir, Rousseau ,Gauguin, Lautrec,Valadon, Bernard,Matisse, Rouault,Brâncuş’, DufyPicabia, Braque, Metzinger , Delaunay, Arp , Chagall, Duchamp, Ernst ,Soutin,e and Masson for the day.

I especially miss the closeness to Modernism, Impressionism, Post-Impressionism, Fauvism, Symbolism , Art Nouveau, Primitivism (art) Modernism, Cubism, Puteaux Group, and my favourite ,Dada, and Surrealism The art squats, street art and local artists with avant guard ideas. I miss my most loved Pompedou gallery.

I miss the trips to Dave’s parents. I even miss,the rattly old one person lift we squeeze into,going up to the apartment. I miss their welcome and sitting at the table eating delectable foods with the now, familiar Eiffel, out the window .

 

I miss Champs. Montmartre, cemeteries , beautiful old buildings and new places I haven’t seen before.

 

 

I also miss the things I haven’t done, or seen yet, in Paris.

I miss the smells ,textures and sounds when living,in Paris. Even, the nightmare trains I don’t mind anymore.

I miss the nostalgia of Paris. There are triggers in Paris, that send me back to my childhood in Australia. It’s usually only something small that will set this feeling off, like the simplicity of design in the everyday domestic object, or the rawness and feel of a well made cotton dishcloth or tea-towel.The aroma and taste of fresh foods straight from the farms and markets.

I especially get this nostalgia when Dave and Amy come home from the patisserie across the road with the morning baguette or my favorite Frasier cake. All this will send me back to my childhood  in Australia when everything was more authentic, honest and more, homely than it is today.

Paris is just like a comfortable old jumper to me now. I do miss Paris today and my wonderful daughter…

My French- inspired handmade shop Atelierinparis

 

Mary Noonan – An Artist from Ireland

Thursday, May 3rd, 2012

Congratulations Mary Noonan on your exhibition and video! A wonderful artist and friend I shared an arts residency with in Barcelona, Spain.

 

 

 

 

 

 

 

 

 

 

 

Art Profiles – Mary Noonan
The first in a series of profiles on artists working in and around the thriving Dublin art Community. This first profile is of watercolour and installation artist Mary Noonan based in the Red Stables Studios in Clontarf.

“LAND TO LIGHT – Photo Diaries”

Monday, April 23rd, 2012
 All Photo’s by Charles Farrugia
Here are some pictures of the opening and links

Land to Light – 4 Victorian Artists

Monday, March 26th, 2012

 

 

Your invited to the opening of “LAND TO LIGHT” exhibition at 5pm on Tuesday 17th April at Switchback Gallery – Curated by Charles Farrugia and Rodney Forbes

Artists
Jenny Davis
Charles Farrugia
John Martin
Mark Story

Exhibition dates: 17th April to 24th May, 2012 – Mon-Fri 9.00 to 5.00 or by appt.
Address: Gippsland Centre for Art and Design
Building 6S Monash University Gippsland Campus
Churchill 3842

Contact:  gippsland@artdes.monash.edu.au

Website: http://www.artdes.monash.edu.au/gippsland/switchback/

Phone (03) 9902 6261

How to get there: http://www.gippsland.monash.edu.au/campus/getthereandpark.html

“Silent Momento – Paris Venice & Spain”

Thursday, March 8th, 2012

A new series of paintings from the studio…

“Silent Momento – Paris Venice & Spain”  Links to found surfaces from the streets of Paris, Venice and Spain. Weathered, worn surfaces, old peeling papers with glimpses of the past, slashed with scrapings of whitewash.

Passages in time, forgotten marks and scribble usually left, unseen & silent.

Make a Large Studio Easel in 6 Easy – Peasy Steps

Saturday, February 4th, 2012

IMG_20150520_115511

 

How to Make a Large Studio Easel in 6 Easy- Peasy Steps

When I built my studio years ago, I needed to have a versatile easel. I couldn’t find anything suitable in the shops and my budget wouldn’t allow for much.  So, I went about creating one from my left over pieces of timber. I needed one that would take small to very large canvas’s all at once. I needed lots of space too. Being an abstract painter, I slosh paint and work very quickly, sometimes on many canvas’s at once. I wanted a permanent spac,e where I could work on small canvas’s 30x30cm up to very large ones 4 x 2 Meters . My easel ended up being 9 meters long x 4 meters high and after 12 years of daily use, my rough and ready easel is still going strong.

My simple Plan

Materials & Equipment

Cut yourself, or buy 2 equal lengths of  hardwood or pine, however long you want the easel to be. This is for the floor and wall runner that will hold all the upright struts.

Cut yourself, or buy equal lengths of hardwood or pine for the uprights. Decide how many uprights you want to hold your canvas .To get the length of each piece , measure from floor to top wall at the angle you want the easel to be.

Bolts, nails or screws

Wooden dowel lengths of wood for pegs

Drill with a “spade” drill bit the same circumference as the dowel pieces you have

(Spade bits are used for rough boring holes in wood.)

Tape measure

Hammer

Drill

Method

1.Everything will need to be measured and cut for the area your are working on.

2. Grab the floor runner piece, lay it perpendicular to the wall on the floor, judging the best space between the floor runner and the wall . Screw, bolt or nail to the floor at intervals to secure. (Note) Remember to allow enough space from floor runner to wall for a slight angle for the upright pieces of wood so your painting canvas can to sit without falling

3. Grab the wall runner piece and screw, bolt or nail to the upper wall at intervals and make secure.

4. Lay all your upright pieces of wood together on a flat surface together (floor )and take your drill with the spade bit and make holes from bottom to the top on all the lengths of wood. The spacing has to be equal across the whole lot.

(If painting the easel do this now before attaching to wall)

5. Take your pre- cut lengths of wood with the holes and sit each one so the bottom is sitting behind the attached floor runner and at the top against the wall runner with the holes facing you. Screw bolt or nail the upright struts to the floor runner and to the wall runner at top. (Note) Go along the floor runner at whatever spacing you want with the upright struts to be.

Almost done. Cut lengths ( 6inches) of dowel for the pegs that will hold all your canvas’s

Note: If the pegs don’t fit in the holes… Round off one end with sandpaper by hand, or with an electric sander.

All done!!!  Now grab your canvas and paint to your hearts content

“Merci Beaucoup “Parcel from Paris

Saturday, January 7th, 2012

“Merci beaucoup” to my lovely daughter and partner who sent me some gorgeous art materials from Paris for my recent Birthday. A huge lot of art materials all packed in a very smart wooden case. The case will be extremely useful when all art materials are gone as well….xxx

 

 

Giacometti

Wednesday, January 4th, 2012

“Everything Gains In Grandeur Every Day.”
Giacometti

“The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.”
Alberto Giacometti, Giacometti: A Biography

Artist & Cat Lady

Sunday, January 1st, 2012

When I was googling the other day I came upon this question.

“How many cats do you need to acquire before you can officially become an old lonely cat lady?

Ok, it got me thinking about myself and my life.

Do I qualify?

1. I have 3 naughty cats ( is that enough?)

2. I’m a baby boomer (I qualify)

3. As an artist, I enjoy my solitude and quiet life on my own. Choices I made along time ago, so I could concentrate of on my creative life.

4. I enjoy getting up everyday knowing, I can create whatever and whenever I want, or not.

5. I love that I can do what I do.

6. I love and appreciate my beautiful family and friends who understand this strangeness in me and who are my biggest support in my life and work.

7. I love to grasp life using the time I have been given, to concentrate on creative ideas, projects and thoughts.These are the things I need to get out of myself to survive .

8. I feel extremally grateful and fortunate to be given this tiny space in time to express myself, but mainly, I want to give something back…

9. Sure, I can be a bit of a bag lady and sometimes go around with unkept hair, clothes full of holes and paint and pull a little cart to collect wood and found objects, with 3 cats in tow but, I’m also a very creative, intelligent and vibriant woman who knows what she wants.

Am I a lonely old cat lady? No, I’m just an artist who happens to have cats.

Now that’s out of the way I can get back to the studio where the cats are waiting…

Are you a cat lady and an artist?

 

 

 

Aesthetica Creative Works Competition

Saturday, December 17th, 2011

Although I didnt win the “Aesthetica Creative Works” competition in England, I feel very honoured and pleased to announce my photograph

“Rider across the Light”

was chosen to be featured for the front cover of “Aesthetica Creative Writing Journal” 2012 Edition.

I have also been awarded a feature in “Aesthetica Creative Works Annual” 2012

An anthology of new works that explore contemporary artistic practice and brings together 75 global artists who represent contemporary visual culture across a range of media, from painting to sculpture, photography to installation and more.

Big thank you!!! to everybody at Aesthetica

Website Aesthetica

To buy Aesthetica Magazines

Aesthetica Creative Works Art Award Finalist

Wednesday, November 16th, 2011

I am very pleased and excited to announce I have been shortlisted for this years”Aesthetica Creative Works Art Award” with my photograph ” Rider across the Light”.It was chosen from over 3,000 entries. (Sorry but cant show you the photograph until judging is finished.)

The winner will be announced upon publication of the Creative Works Annual, which will be released in early December 2012. I will keep you posted…

Aesthetica is a British arts and culture magazine. Founded in 2002, Aesthetica Magazine covers literature, visual arts, music, film and theatre. It has 60,000 readers and national and international  distribution. Cherie Federico, managing editor of Aesthetica was appointed a Fellow of the Royal Society of Arts.

What is a Glaze?

Monday, October 31st, 2011


Layers layers layers. Did you know? many of my paintings, especially oil paintings, have layer upon layer of pigment and glazes. Each painting can take many hours,weeks even months to complete.

What is a Glaze?
A glaze combines two or more transparent layers of paint, which have been applied over an opaque underpainting. Each transparent layer builds on the ones under them, creating new colors and added richness depth and interest to a piece.

Rembrandt would paint in layers, building from the back of the painting to the front, by using coats of glazes. He would use at least 15 layers of transparent glazes in many of his paintings. That is why they seem to glow and emerge from the darkness of the background.

A few good sites to find out how to create glazes in your paintings
http://painting.about.com/od/oilpainting/a/glazing_FAQ.htm
http://painting.about.com/od/oilpainting/a/Glazing_Tips.htm
http://painting.about.com/od/oilpainting/a/GeraldD_glazing.htm

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How to Rust Dye Fabric.

Tuesday, October 4th, 2011

Lately I’ve been experimenting with natural dyeing processes for fabrics and papers. I’m trying out rust dyeing at the moment. I want to build up a collection of natural and rust dyed fabrics and papers so when my next creative spurt comes around, I’ll have plenty to work with.

Over the years I have collected heaps of metal for welding my sculptures so have plenty bits hiding on my property just rusting away. The gathering of the metal objects, wrapping them with the fabric spraying with vinegar and binding with rope and wire is quite relaxing. I call it mummy wrapping.

It only takes a couple of hours for marks to appear but I like to keep mine for up to a week or two so I can get deeper impressions and colours. I discovered if I wrap fabric around old pieces of copper pipe the amazing green and red patinas are transferred to the fabric as well.

I’m happy with the end result and see connections to the abstract marks I create in my paintings. There are paintings in themselves

Go to my tutorial on Rust Dyeing here