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Balance, colour, repetition, scale and transparency is what I took away from that exhibition.
Copyright Jenny Davis
As a child, I too, would build little towers of objects in my bedroom.
Still today I play and stack with my vast collection of vintage objects.
The towers have been getting higher and higher over time and eventually, I aim to make huge, tall one’s, up to the roof or even higher.
Now back to the painting…I’m not sure if I’ve resolved it yet, as something about it is still annoying me. Maybe that’s a good thing?… as sometimes things that are a bit odd are more successful.
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In the media we are bombarded with images relating to the massive global refugee problem. Links to the landscape, tracing the inhuman, nomadic chaos of the exiled, wandering the earth at this time in history. Each painting has been created, using acrylic paints and oil pigment on stretched canvas. Varies sizes.
Château of Versailles and the beginnings of something.
Walking through the hundreds of rooms at Château of Versailles, I couldn’t help but notice, the old, stuffy smell and the sound of squeaky, footsteps upon the ancient floors. So, I made a sound video and took close up shots of the wallpapers and other surfaces.
I mainly had a fascination with the “over the top” décor, decorative surfaces and patterns.
Below the surfaces of this show of power and extravagance, was a history of passion, debauchery, sex, treachery, brutality, corruption, torture and death. I imagined the exotic and beautiful people, the power of the Kings, the abuse of women, Marie Antoinette and the peasants who starved in villages.
I also was taken back to my childhood, when, I enjoyed being in my own little world creating, away from the real world. My mum used to make gorgeous clothes with beautiful fabrics and trimmings and I was given the leftover’s. I taught myself to make collage’s, wall hangings, to decorate my room from a very young age.
When I was older, I decorated my bedroom with scarves, scraps of fabric and tacked up old bedspreads, made from cotton and woven fringes. The bedspreads became a wallpaper backdrop for my bed that I made into a couch.
I made heaps of cushions and would sit for hours reading, Go Set and TV Week, magazines. The pop star posters were stuck onto the other 3 walls and ceiling.
Since returning from France, I haven’t forgotten the over the top extravagance of Château of Versailles and have been playing around with a few ideas and may look into having an arts residency, nearby in the future.
Versailles palace and grounds in France are extremely lavish and over the top, with gold everywhere. During my visit , I enjoyed the eclectic mix of textures and patterns of the wallpapers, the swaths of lush curtaining at the windows and the textiles on the furniture, elegant and beautiful.
Each piece in the palace was finished off to perfection with lots of intricate patterns and pure gold, gilding. The floors were creaky, but full of character. There were, extravagant marble walls, flooring and decorative marble fireplaces everywhere.
Below is a sample of some of the surfaces at Versailles and work in progress I am making from my little studio in France.
Its been a awhile since I’ve been in Paris but feels like I haven’t been away at all, this time. I’ve spent the week soaking up the atmosphere, the smells, the heat, the food.
Its a really busy, vibrant, city and far from the peace and quite of the Yarra Valley, but, being out of my comfort zone allows me to explore and experiment other ways of working and documenting experiences.
Today I played around with a few ideas. I have been particularly drawn to the architecture especially, the small intricate, decorative patterns within.
I’m looking forward to a visit to Versailles palace to see all the decorative bits. Especially the antique furniture wallpaper and textile designs.
I find Frottage rubbings are fun to do. I did the rubbings, when I was an artist in residency in Spain. The rustic farmhouse was over 200 years old and once a winery. It had amazing textures throughout and the studio’s. were very generous in size.
Underground Spaces & Art. Beneath the City of Paris. Throughout the world underground complexes criss cross beneath the surface of the above-ground world. There is a thriving underground world where the average person never gets to see…unless that person knows where to look. Fascinating subterranean cities and hidden underground spaces that dwell beneath our feet.
For instance, beneath the city of Paris below the Metro tunnels under the railway, stations, is another thriving world where people work 24hr’s maintaining the entire transport system to keep it working at its peak. There’s the famous underground cemetery the Catacombs”les carrières de Paris” full of caverns and tunnels. The walls are laden with an interesting installations of skulls and bones.
Wherever I go, I like to explore hidden underground spaces. In Paris I found a very special space under an apartment. Down there, I create stories, art and listen to the silence & chatter of the walls. I like to set up little dioramas between the red doors, damp earth walls and the ground. I then photograph and make little video’s of the scenes for later projects.
I just love this story …inspires me to keep working on my art projects which link back to my own treks of working in underground spaces below Paris over the past 5 years.
Thirty years ago, in the dead of night, a group of six Parisian teenagers pulled off what would prove to be a fateful theft. They met up at a small café near the Eiffel Tower to review their plans—again—before heading out into the dark. Read full story by Jon Lackman …
I believe art can no longer be only confined within the walls of established art institutions and be thought as only painting or sculpture. At a time when we are at the peak of global creativity I see artists refusing to be labelled and contained. Art venues and spaces are struggling to keep up and are experimenting with new ways to present this explosion of creative output artists for multidisciplinary and multidimensional.
When I was in Paris last time, I saw evidence of this. In a city of almost 300,000 living artists Paris seems to find creative outlets for multidisciplinary and multidimensional. Little “Hybrid art” spaces are popping up everywhere in the streets. Artists themselves have had to think of innovative ways to get their art seen. Many making their home an art space open to the public.
Art squats, sandwiched between homes in residential areas, art has taken over abandoned buildings where a rich cultural life of concerts, debates, exhibitions, lectures and workshops unravels in clandestine venues.
When I’m in Paris I have a couple of creative spaces I made out of necessity. “Studioinabox” and “The Dungeon”
“Studioinabox” is a wooden trunk in the apartment living room where all my creative materials are stored. I create the work on top of the box or the floor space. I may even display or exhibit in side the box. As I move from country to country, my “nomad art’ has to be small and transportable. I enjoy the challenge creating in the immediate space and using only items, I collect from the streets,used packaging and a few other bought art supplies that I can fit into my “Studioinabox’
‘The Dungeon” is a space underneath an apartment block in Paris. It’s damp, smelly and creepy with dark corridors, full of earth walls with red wooden doors. The lights are on a timer and go out every minute, so you can be stuck in a very unearthly dark abyss, if you don’t press one of the buttons on the wall quick enough. I have devised a way to stop them turning off and over the years, I have become more brave and allow myself to connect to the dark hole, for longer periods. Eventually I want to open the space and show my video and photography down there. I also have ideas of a performance in the space.
In Australia, I find there are too many artists and not enough art spaces as well. So, I’m playing around with a few ideas using my home and website, as my art space for all sorts of creative experiments. Nothing, is fully formulated or resolved yet, and will keep you all informed of my progress from this blog.
Do you have a special space where you create and show your work?
Gleaning Paris for Art Materials video. From the streets of Paris I collect stuff,junk to create with, plus other inspirations behind my ideas. Works in progress from my studio’s in Paris, Spain and Australia. Photos taken in Paris, Spain and Australia.
All artwork copyright to Jenny Davis
All winners will now be featured on the Light Space & Time website for the month of July 2011. Thereafter, the artworks and links to the artist’s websites will remain online in the Light Space & Time Archives. Congratulations to our artists who made our Abstracts Art Exhibition so successful this month. At any time, we invite our winners and other interested visitors to link their websites to the Gallery’s archive page for further ongoing promotion.
Jenny Davis is an Australian artist, working from studio’s in Victoria Australia and Paris France, where she sometimes lives. As an artist, she enjoys working in many disciplines including: painting, sculpture, photography, installation, video, collage, recycled design, sound and virtual worlds. Jenny has shown her work in many countries, including Australia, Germany, Spain, France and USA. Her work is in private and public collections across Australia, UK, Europe and the U.S.A. Outlook8studio
My French son-in-law can be so much fun. When I go over to Paris we both go out and glean stuff off the streets. We do it on foot as we don’t have a car. Usually we leave my daughter at home as she is not as keen as us, to collect what we like. Once we are back at the apartment with our stash, I sift through it and set aside a little to play with and then I send the rest back home to Australia.
I haven’t been to France for over a year now and today I received a mysterious brown box in the post from Paris.I wasn’t expecting anything so, I was very excited to open it.
I eagerly opened the box and inside was a gorgeous pile of stuff. When I say stuff, I don’t mean glamorous things from Paris, like Loreal , Chanel or Louis Vuitton hand bags. I mean, the box was a treasure trove of French ‘detritus” litter, junk, rubbish. Stuff that usually goes into landfill, stuff gleaned from the streets of Paris. Food packaging, pretty boxes, champagne bottle tops, clothing tags, fabric scraps, glow in the dark bits of plastic, advertising and all kind of paper ephemera plus a replenish supply of baguette bags for my handmade books ….
All this wonderful stuff I reclaim and use in my collage and sculpture.
During the week I was cleaning out my book shelves and came across my book, “Meet the Tenant”. An underground survey of Paris. It’s an unusual photographic survey of Paris. My photographs in this book are a “non-clichéd” look at Paris. Instead of focusing on the famous monuments, I zoom in on what is beneath the surface, photographing hidden places, including a storage area under an apartment.
I know I’m crazy but, I love spaces underground.
“There’s a life underneath the earth, and people don’t know about it, but it’s very busy and living,” she said.“I have taken photos of the Eiffel Tower but I go under it, and look at closer fragments.”
DESCRIPTION: ” Meet the Tenant” Photography in Paris Australian Artist Jenny Davis. After a venture into the dungeon area under a Paris apartment. I could feel past lives lurking within its damp walls and eerie narrow chambers of numbered red doors. I spent many days down there alone soaking in the atmosphere of the space in order to connect to some sort of creative energy which eventually took off in all directions. I am fascinated by the beauty in the unseen the contained and murky, sometimes thought of as dirty and ugly.
