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The 2 vintage boxes above grabbed me today and got me thinking…. I found them on one of my trips to France in a little old messy antique/secondhand corner shop in Asnieres sur Seine. I kept them as an item I thought I would eventually sell in my vintage shop Ateliernostagi
Now, I find them too precious to let go of. Instead I’ve decided to use them in a future art project.
Look at those marks….
Life is too short to hold onto precious things and pack them away into boxes and cupboards. Waiting for the perfect time to use them or, pass onto family and friends, who really aren’t as interested in them as you are.
Enjoy and use them while your still here!
To me, they look like some sort of storage box that may have held wooden or metal letter stamps. Maybe a hold for jewelers burs, or counters…
Exploring objects and textiles is keeping me away from painting in the studio at the moment, but that’s ok, because I’m not just a painter…..
Today, I have been working with time and nature but, now it’s too hot to do anything much, as the temp in the valley has reached 39 Celsius and getting hotter.
I get torn between contemporary and lush, extravagant. Old bones, textiles, rusted wires, watch faces, bits of stick with moss , vintage cosmetic bottles and handmade French influenced, embellishments are on my bench.
Memories and feelings keep flooding back from my times spent in France. Especially touched by Versailles palace and other places in Europe and England. Old history feeds my creativity.
Old rusted wire and found textiles are twisted and sewn with gold threads and remind me of couture and Versailles decadent history.
Formed into fragments that will probably be part of something else.
This one looks like a weird kind of bird.
I’ve also had the de-clutter bug lately so its feels liberating to use up stuff Ive been hoarding for ever.
Art and recycling goes hand-in-hand in the textile and mixed- media side of my arts practice.
My artworks are often
created from old, discarded clothing, vintage and antique textiles,
papers and found objects. I enjoy making use of stuff that has had a
life already; a life that is often purely functional and as far
removed from ‘art’ as you can imagine.
I’ve been recycling all my life to make art. As a child, I pulled apart, old clothing and nylon stockings “I used to collect fabric waste from mum’s sewing and knitting basket, making wall hangings out of that.” Nowadays, I cut up my own clothing and others, antique quilts, vintage linens, fancywork and men’s suits.
The process of searching and collecting materials, is also, a very important part of my art’s making. It may take weeks, months, even years, to find a piece that talks to me. Most of the time though, a fragment of fabric, clothing or object, will trigger off the idea. I collect and document many of the pieces I find, by labeling or remembering, its history of when & where it was found. This gives me another layer to work with.
The search for
materials has taken me to many weird and wonderful places over the
years.
The sometimes, dodgy, back streets of cities, in Barcelona, Italy and France. Markets and charity shops in Australia, France and England. Underground spaces, abandoned buildings, coast lines and vacant beaches. Friends, family and strangers, have also, donated materials to use in my work.
By transforming old,
recycled and reused materials, it enriches the stories I like to tell
in my contemporary art and gives a new life, to materials destined to
be wasted and thrown away.
Balance, colour, repetition, scale and transparency is what I took away from that exhibition.
Copyright Jenny Davis
As a child, I too, would build little towers of objects in my bedroom.
Still today I play and stack with my vast collection of vintage objects.
The towers have been getting higher and higher over time and eventually, I aim to make huge, tall one’s, up to the roof or even higher.
Now back to the painting…I’m not sure if I’ve resolved it yet, as something about it is still annoying me. Maybe that’s a good thing?… as sometimes things that are a bit odd are more successful.
As a small child I pulled things apart. Even, before I could talk, I ripped apart dolls and toys. I used to make little displays, installations of the fragments and other discarded things. Today I still pull things apart. I find fragments more pleasing and sometimes, even more interesting than the original object.
Recently, I pulled apart an old chair that had been hanging around for years. The wood was still good. The cloth and leather had grit and rust, just perfect for sculpture. The rustic bits and pieces also related to some textile fragments, I unpicked from an 1800’s, quilt topper. I’m still working on outcomes and painting has crept in too. Below are some pics of the process.
One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.
Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged surfaces and patinas of collections, make their way into my abstract paintings, too.
Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio
Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.
Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded
This has lead me to many questions…
When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?
Through objects and belongings, can we feel connected to that person?
Can objects change, how we see others & ourselves?
It’s never too late… finally after many changes, a couple of sculpture’s I started back in 2006 are now complete. ( I think). Sometimes I have to wait around a long time for the right object to turn up. Of course, I don’t know what it is until I come across it.
TITLE – Axis of Evil Sonata. 2006-2015
SIZE – 19x12x11cm. approx
MED – plastic cowboy, eagle, wooden music box, mirror, metal, glass vials, black sand, paper,enamel paint, music box movement.
Found -Object sculpture. Music box beats out Beethoven’s “Moonlight Sonata” while a gunslinger from the “Wild West” spins around. Beside the black box sit, 5 glass vials, filled with fine black gravel. The inside of the box is filled with more, fine black gravel. Reflections on war and global conflict. A response to the invasion into Iraq, 2003.
TITLE- Equilibrium. 2006-2015
SIZE- 18″ x 8″ – 47x20cm approx.
MED – plastic,rock-metal,music box ballerina,wire, enamel paint.