Line Walking. Working with Line.

August 3rd, 2018

Line is a point moving in space. Playing with line fascinates to me. By letting go and just allowing the movement to take over, allows me to go in-between, out and off edges.

 

 

The materials I use vary. I may use paint, pencil or crayon on vintage book papers, thread on antique cloth, scratch with implements, or, use wire to make tangles. Lines often define the edges of a form, but not very often in my arts practice.

 

 

Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin.

 

 

Paint lines

 

 

Drip lines

 

 

Thread lines

 

 

Free flowing lines

 

 

Frottage lines

 

 

String lines

 

 

Art backgrounds or not? Do you like to see artwork in a room?

July 23rd, 2018

 

I’m not sure how I feel about showing artworks with mock -up backgrounds. So, recently I purchased a few mock – ups, and have been playing around with them. I’d like to display my artworks a little bit differently, being, there are, so many other artists online.  I’m just wondering, if putting artworks with interesting backgrounds, makes any difference, for viewers, collectors etc. and, in getting it found in the search engines easier. I think they look cleaner, but at the same time, I don’t want to categorize my artwork as being, just “interior design” pieces. I’d love to hear what others think…

 

 

If you feel inclined, your welcome to add a comment at the bottom of this post.

 

 

 

Do you like to see artworks viewed in a room, or framed ? or do you prefer see artworks on their own, with no backgrounds?

You can also view some of my artworks in rooms in my gallery area

 

 

Thank you in advance!

 

 

Rustmatter abstract paintings now available.

July 8th, 2018

New paintings available in my gallery. “Rustmatter” series. I want to capture the “beauty & hope” in decline, before its gone and continues my investigation into the disintegration and decay of the environment, of life and the human psyche.

 

Experiments with layers of rust, paint, iron shavings and salt. Finally, surfaces emerged, worn , weathered and sometimes ancient. I then sealed the paintings to keep stable and lock in the layers.

 

 

 

 

Each painting is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Curator & Arts Writer, Dr. Ewen Jarvis.

 

 

Rustmatter 17

 

Rustmatter 12

 

Rustmatter 16

Rustmatter 14

 

Rustmatter 15

 

 

NOTE – All inclusive : Express Post, Tracking, Signature, Insurance & Packaging.

 

Time Worn Surfaces. Fine Art Prints. Jenny Davis

July 1st, 2018

Currently available in my Gallery ,” Limited Edition” art prints

To purchase my Wallmatter series, please go to the Gallery  page.

Each collection of 10 prints is $35.00 AU. and includes (Free Worldwide Postage)

You will receive
1 collection of 10 Wallmatter art prints/cards shown
Blank on back + 10 white paper envelopes
One of each design
6″ x 4″ – 15 x 10cm. ea.
Designed from my original abstract paintings
Printed professionally
100% Recycled paper stock
Sustainably sourced
Matt finish

 

 

 

 

 

A beautiful way to send a personal message to your friends and family or, frame for a unique art display in your home or workplace.

 

About Wallmatter series.”A visual and textural descent into the abandoned, the derelict, the vacant and the, forgotten surface.”Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems,of timeworn surfaces. Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay.”

 

 

To purchase please go to my Gallery page and scroll down to “Small Art Prints”.

(Free Worldwide Postage)

 

 

TurkRedghost Series. Textile Art. Antique & Vintage Textiles.

June 27th, 2018

I grew up in a “make do and mend” family, where nothing much was thrown away and would be mended or, re-purposed into something else, therefore, many of my textile pieces are hand- made, created from antique & vintage sourced materials and may include, discarded, abandoned, found objects. I have been working with textiles all my life. My mother was a dressmaker and as a child, I would collect the fabric scraps and make wall hangings and soft sculpture.

“TurkRedghost” series

Sometimes the antique textiles I work with, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside, others gone before. Ragged bits, old and new stitching, tracing marks left behind on old textiles are a reminder, of a time when women, had many obligations and few choices. I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces. Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

TurkRedghost 1

TurkRedghost 4

TurkRedghost 3

TurkRedghost 2

Outlook8studio. We’re Updating our Privacy Policy.

May 26th, 2018
Here at Outlook8studio – Jenny Davis we believe its important to let you know that your data is safe with us following changes to recent EU data protection laws (GDPR)
We’re writing to let you know that we’re updating our privacy policy in preparation for the EU’s General Data Protection Regulations (“GDPR”) which went into effect on May 25th, 2018. While the GDPR is a European law, we are taking this opportunity to clarify and apply our privacy policy to everyone, no matter where you’re located. Here’s a quick summary of our changes.

We are being more specific on how we use the information we collect and how we keep the data

We’re being more specific about your data preferences and your data rights

These changes will not affect the way you use Outlook8studio-Jenny Davis

You do not need to take any action

 
To comply with the new law, we have updated our privacy policy: To read our new Privacy Policy, go to our Privacy Policies page and scroll down.

Thank you for being a part of our community and if you have any questions about your data , please feel free to get in touch.

With kind regards,
Jenny Davis

After Exhibition Blues. Textiles.

May 2nd, 2018

After exhibition blues has hit!  I’m all painted out at the moment, but still enjoying some textile pieces Ive been playing around with for a while now.  Looks like some old photos and found objects will make their way into the project too.  Please see “Spaces Below” exhibition details in the sidebar on the right.

 

 

Ragged bits , old and new stitching, tracing the marks left behind on, 120 yr old textiles.

 

 

Memories and ghosts from the 1800s, remind me, as I work, of a time when women had many obligations and few choices.

 

 

A time when, women were completely controlled by their fathers, brothers and male relatives and their sole purpose in life was to find a husband, reproduce and then spend the rest of their lives serving him.

 

 

If you were to break free, you would be crucified, ridiculed and seen as “not normal, insane, bullied and tossed aside.

 

 

The textiles from the 120 year old quilt toppers I work with, sometimes, seem to yell at me, but mostly, they lay silent, as I make my own marks alongside others gone before.

 

 

I feel comfortable, as I stitch, tear, dye and reinforce the fragmented pieces.

 

 

Somehow, I hope, in a small way, by reclaiming and reworking the textiles, I can give a voice to those women.

 

 

Just like in my own life, when I was powerless, art gave me a voice to express myself, where once I had none.

 

 

 

 

 

Yering Station Art Gallery & Spaces Below

April 11th, 2018

Current Exhibition in the Main Gallery at Yering Station –  10 April – 20 May.

JENNY DAVIS — SPACES BELOW

Wallmatter, Oil paint on canvas, 140 x 180 cm

‘Spaces Below’ is a visual and textural descent into the abandoned, the derelict, the vacant and the forgotten. Through her utilisation of forlorn industrial structures, stained and crumbling walls, acts of graffiti, redundant signage, and portals giving access to meandering subterranean systems, Jenny Davis evokes a unique vision at once spare and lavish, material and ghostly. It is a vision that elevates the significance of random marks, stress fractures and other imperfections, while enfolding the viewer in an atmosphere of chromatically gentle and strangely opulent decay. The abstractions that haunt these works are investigations of the many traces that run like hieroglyphs and riddles across the surface of neglected structures.

Davis’s subterranean life began in childhood. Drawn to ‘small spaces’ where she wouldn’t be disturbed, she would play in drainpipes, on vacant industrial sites and in newly constructed buildings, often working discarded materials into makeshift furniture and decorative objects. After an arts residency in Barcelona in 2005 and a visit to France in 2006, Davis steered her arts practice toward spaces reminiscent of those early childhood memories. In researching and documenting understructures, abandoned buildings and marks left behind in the built environment, she found ‘beauty in decay, random marks, aerial perspectives, graffiti and weathered surfaces’. Ever attuned to the narrative and oneiric possibilities of timeworn surfaces, Davis’s latest exhibition creates an altogether seductive immateriality from abrasive mediums such as cement, iron and rust.

Davis’s practice spans twenty-five years and encompasses painting, sculpture, drawing, collage, photography, book arts, textiles, installation‚ video‚ sound and virtual worlds.  Her artwork has been exhibited in Australia, Germany, France, Spain, the UK and the US and is represented in numerous private and public collections. She has received awards and residencies both nationally and internationally, and her digital artworks have been projected onto buildings in Times Square, New York and in 2017 at The Venice Biennale 57. “La Biennale di Venezia” in Italy. Davis currently works from her studio in the Yarra Valley region of Victoria, Australia. By DR. Ewen Jarvis 2018

Wallmatter 5, Acrylic, shellac, pigment, sealer on canvas, 122 x 92 cm

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

Exhibition Launch. Yering Station. Jenny Davis. Spaces Below.

April 9th, 2018

Jenny Davis

Spaces Below

10 April – 20 May 2018

Exhibition Launch: Friday 13 April 6.00 – 7.30 pm

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Art Gallery

38 Melba Highway

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

View of Urban Paris.

April 6th, 2018

One thing leads to another, everything is connected…

split second images flash by –  embed

opening cracks

rough

rust

decay

rubble

dirt

paint

crumble

torn

scratchy

weathered

worn

unseen

forgotten

abandoned beauty…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Small Ideas. An installation of abstract paintings and found images.

March 30th, 2018

My next exhibition,”Spaces Below” is an installation of new & older paintings, linking to found, instantaneous marks, surfaces and fragments. Subconscious notes and messages, snatched from urban and rustic environments when passing through. Also includes, a series of framed images, shot in the city and outer suburbs of Paris, France.

(Please see details of “Spaces Below” exhibition in the sidebar)

 

 

I’m still amused and amazed, how one little idea can consume, inspire and provide enough fodder, leading to many forms of expression.

 

 

 

 

 

 

 

 

Spaces Below. Bubble – Wrap. Gaffa Tape.

March 28th, 2018

The countdown is on… only 14 days until I install my exhibition, “Spaces Below” at Yering Station Gallery, which means, 14 days of bubble-wrap and gaffa tape tangles, labeling, organizing transport, invites, and the opening.

 

 

The artworks in the house are all ready to go and still lots more in the studio to wrap, but for now, I think its time to grab some lunch and veg out for awhile….

 

 

 

“Spaces Below” Jenny Davis

March 17th, 2018

Jenny Davis

Spaces Below

11th – April – 20th May

Official Opening: Friday April 13th –  6.00 – 7.30 pm

Dear Friends

Jenny Davis would like to invite you to her new exhibition, “Spaces Below”

 in the beautiful Yarra Valley, at the historical Yering Station at Yarra Glen in Victoria.

Exhibition runs – April 11th – May 20th

Address – Yering Station Art Gallery
38 Melba Highway Yarra Glen

Opening Times – Monday-Friday
10:00am – 5:00pm
Weekends & Public Holidays (including Anzac Long weekend)
10:00am – 6:00 pm

 

Commission from all sales will be donated to… L.A.R.C.H. 

(Leukaemia Auxiliary Royal Children’s Hospital)

 

For more information please contact

Dr Ewen Jarvis

Curator

Yering Station Gallery

PO Box 390

Yarra Glen Vic 3775

P + 61 3 9730 0100

M + 0400 894 646

artgallery@yering.com

www.yering.com

 

Yering Station is located at 38 Melba Hwy Yering 3770 Victoria, Australia. Directions.

Pure Abstract Painting. Abstract Art. New Course.

March 4th, 2018

Abstract art strips away the narrative, the real and expected visual story. It requires us to resolve a problem. We want to impose a rational explanation – or see something in abstract art so we feel comfortable. It makes our brains work harder and in a different way – at a subconscious level.

 

 

 

Maybe that’s why some people find abstract art more intimidating and are quick to dismiss it.

 

 

If you are interested in learning more about abstract art and how to create abstract paintings, I am in the process of creating my first online course. “Pure Abstract Painting”

 

 

 

This is something I have been wanting to do for many years and will let you know when my course is ready for enrollment.

 

 

A few abstract paintings I’ve been working on today.  I love the continual changes when working this way.

 

 

 

Spaces Below. New Exhibition. Yering Station Gallery.

March 3rd, 2018

A small glimpse of paintings in progress for my next exhibition, in April at Yering Station Gallery. I will be showing, new and older paintings and will include an installation of framed photographs, “Spaces Below”, shot in France. The gallery is large and raw with an industrial feel.  A perfect space for larger abstracts. All commissions taken from my sold artworks at Yering Station Gallery will be donated to…

 

 

Affordable Art. Framed Art. Art Prints.

February 19th, 2018

Ever wish you could buy that original piece of art but it was just too expensive and out of reach?  I know I have.

Have you ever considered prints of your favourite originals?

Even if you can’t afford an original piece of art, purchasing prints can be more affordable and if the original artwork is sold, there may be prints available. It not only brings art into your home but, it also supports the artist community too.Clear

Clear

ClearI have recently been setting up my online print shop, where you can now purchase prints of my original artworks.

Please see my Gallery page or, click the headings below. There you can browse my selection of framed prints, canvas prints, art prints, acrylic block prints and metal prints.

ABOUT MY PRINTS

The source, for all my art prints, are created in my studio by hand, in (Australia) using my original artworks and photographs. Hand drawing, painting, photography and making collage, is all part of the creative process. Then, the prints are ethically produced by my digital printing partners in Melbourne, Australia, USA and London,England. My prints come in many sizes and prices, to suit your budget. All prints are created from the best, fine artist grade, papers, canvas and materials. Each print is clear and vibrant using specialists inks that will last. Your purchase is wrapped carefully then, packaged in sturdy custom- made boxes, so they make it safely to your door. Please see … Worldwide Delivery  plus 100% Returns and Exchanges

I am still in the process of creating my online print shop and will gradually add more prints over time. Enjoy your browse!

Framed Prints

Custom-made box or flat frame styles. High-quality timber frame finishes to suit your decor. Premium Perspex – clearer and lighter than glass. Exhibition quality box or flat frame styles.

Canvas Prints

Each custom artwork is hand stretched and printed for your order. Vibrant colors printed on artist grade canvas. Printed image wraps 0.25 inch (0.6 cm) over the edges; the sides are white. Hanging hardware is included.

Art Prints

Custom sized prints (with various border widths). Gallery quality vibrant colours.
Lightly textured 100% cotton paper.
Refer to size chart for dimensions if self framing.

Acrylic Blocks

Vibrant back mounted photographic prints 1″ (2.5 cm) thick. Solid free-standing acrylic block for desk, table top or shelves. Diamond cut sides provide a sharp image from any angle. Hand polished for a crystal clear finish.

 

Metal Prints

Available in both High Gloss and Satin. Gently rounded corners. Cleanable surface. Lightweight aluminium is literally infused with the chosen artwork.

Fragments. An old chair. Inspiration for new work.

February 7th, 2018

As a small child I pulled things apart. Even, before I could talk, I ripped apart dolls and toys. I used to make little displays, installations of the fragments and other discarded things. Today I still pull things apart. I find fragments more pleasing and sometimes, even more interesting than the original object.

 

 

Recently, I pulled apart an old chair that had been hanging around for years. The wood was still good. The cloth and leather had grit and rust, just perfect for sculpture. The rustic bits and pieces also related to some textile fragments, I unpicked from an 1800’s, quilt topper. I’m still working on outcomes and painting has crept in too. Below are some pics of the process.

 

 

 

 

 

Happy New Year ! New Work. New Exhibition.

January 13th, 2018

After, a much needed break it’s back to work for 2018. I’m getting all geared up for my next solo exhibition, in April. I’m just waiting on a paint delivery and sorting out the studio, before I start the new work.

During my break, I worked on my website and listed more paintings in my Gallery.

I will also be adding more paintings, mixed media and textile pieces shortly.

 

“Silver Cad Connections” 1 & 2

A static flow through and within .

 

 

“Lemon Under Cad”

It just is…

 

 

“Moment 3”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 4”

One fleeting moment. A thought caught in a fraction of time.

 

 

“Fleeting Moment 5”

One fleeting moment. A thought caught in a fraction of time.

 

 

 

 

December 26th, 2017

Seasons Greetings to you all from Outlook8studio and all best wishes for a peaceful 2018. Many thanks for all your support over the years !

 

 

How to Stretch a Canvas for Painting

December 4th, 2017

When I first started painting, the thought of stretching my own canvas was frightening, but after a few attempts of stretching a canvas it came to me automatically. I was able to make canvases for half the price of store bought ones. Also, stretching your own canvas can trigger off the beginning of the creation through the hands on process of doing it yourself. Hope this helps.

Materials and equipment

Pre- made stretcher frame/ or self-made

Canvas material cut 10cm approx larger than your stretcher frame

Canvas staple gun

How to Stretch a Canvas

Lay your canvas on a flat surface wrong side up then lay your stretcher right side down on top of canvas. Pull the sides of your canvas up and round to the top of the stretcher.

DIAGRAM 1 Secure the 4 points with staples or tacks to create a diamond shaped wrinkle in the canvas. Check diagonals and adjust the stretcher for squareness before going further.

 

CANVAS DIA 1DIAGRAM 2– Secure the canvas to the stretcher with staples approx. every 6 cm. around the edge, working from the center points outwards. Pulling the canvas as you go. Continue working out to the corners in this pattern. Do not overstretch the canvas. When applying tension, the canvas pliers should not be forced to pull the canvas in place. The tension of course will become greater as you work towards the corners.

CANVAS DIA 2FOLD– the corners under; as neatly as you can, leaving no exposed tab that maybe caught and damaged. Staple or tack excess canvas that wraps around to the back of the frame.

HINT– Once finished and your canvas and is not as tight as you would like, fill a small spray bottle with luke-warm water and spray the canvas on the back. Once dry your canvas will be as tight as a drum. Happy painting!

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