One thing leads to another, everything is connected…
split second images flash by – embed
opening cracks
rough
rust
decay
rubble
dirt
paint
crumble
torn
scratchy
weathered
worn
unseen
forgotten
abandoned beauty…
My next exhibition,”Spaces Below” is an installation of new & older paintings, linking to found, instantaneous marks, surfaces and fragments. Subconscious notes and messages, snatched from urban and rustic environments when passing through. Also includes, a series of framed images, shot in the city and outer suburbs of Paris, France.
(Please see details of “Spaces Below” exhibition in the sidebar)
I’m still amused and amazed, how one little idea can consume, inspire and provide enough fodder, leading to many forms of expression.
One of my life- time interests is collecting vintage, antique and found objects. I believe, through objects, stories can be told, and through imagination, new ones found.
Objects and their stories, often inspire my art making too. I deconstruct items for sculpture. Old clothing and antique quilts, are often used in textile pieces, artist books and collage. Aged surfaces and patinas of collections, make their way into my abstract paintings, too.
Lately, I have been asking myself a few questions about, collecting and identity. Especially after the passing of my step father a few years ago, when I had the huge task, of cleaning out his house and shed. Overwhelming at times, the hoard, has found it’s way into my life & studio
Having only known him for a short time, (5yrs) I’ve discovered, through his belongings and objects, a hidden or, new identity.
Strangely , I now find myself imagining, a new “make believe identity” through the objects he hoarded
This has lead me to many questions…
When alive, do we really know a person? and can things and objects help us to see, a new, or different identity?
Through objects and belongings, can we feel connected to that person?
Can objects change, how we see others & ourselves?
Stripping Back Layers. Plaster. Old Wallpaper. Paint.
Taking away layers stripping back identity to get to the essence of something
is much more interesting to me than creating something recognizable
As a child I was more interested in pulling things apart to investigate the material it was made from
I then went further and tried to destroy the material scratching into it to get back the original source
I still do that today in all my work
experimenting with layers of paint plaster found papers antique french print vintage wallpapers and ink
pulling apart scratching tearing and ripping
I love to recycle packaging, junk mail and advertising materials into books
I like the freedom of designing my books as I make them, discovering ideas along the the way
Its amazing how much packaging can be saved over time
For this book I used cereal packaging with a peephole and pasta boxes with acetate windows for the interior pages
and sealed the pages with white Gesso
only on one side because I liked the dark look of the cardboard ( later I painted them with Parisian essence to age )
On the cover I used double sided tape to stick down the tabs
to make it more sturdy
The little window will have something inside
Taking a load of baguette bags I bought back from France
I scrunched them up into balls and wrinkled them
opened them up and stuck them to the cover packaging with pva glue
This gave the cover an oldish feel with a lovely rough texture.French text shows through the window
I covered the inside with some French text from a 1900’s magazine, stamping and my hand drawn doodle drawings.
I didn’t like the brightness of the gessoed pages so aged them with washes of Parisian essence
When dry I cut off some of side flaps from the inside pages saving them for tags and pockets later
I didn’t have an awl to make the holes for binding the book, instead I used a hammer and nail. It worked fine
I punched 3 rows of holes weaving in and out with cotton mop thread
leaving a tail inside I then plaited the threads and added a piece cardboard for a bead thing
The extra holes seen were a mistake and can be covered up with more baguette paper and glue later
Side flaps on some of the pages hold piles of water colour papers for collage and drawing
They are tied with cotton mop thread
The loose water colour papers are white and hand dyed with Parisian essence
See through windows add more interest
Pockets and string hold found papers and tags. The book is still not finished and I will probably add more tags and pockets
Toggles were sewn on the front with a string to close
This book has a Japanese feel to it and measures 24 x19cm. 5 pockets hold 40 pieces of water colour paper with another 12 pages. Some have windows.
I try to keep on top of my collecting by making something with the packaging every few weeks.
What do you make from your junk?